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Full text of "Casio CZ-5000 Owner's Manual"

CQSM05VNTHESIZGR 



-5000 



I 



OPERATION MANUAL 
MANUAL OE OPERACION 












Thank you for purchasing the Casio CZ-5000. The CZ-5000 is a totally digital synthesizer 
under LSI (large scale integrated circuit) control, and is designed using the same princi- 
ples that apply to analog synthesizers, thus eliminating the frequently heard complaint 
about digital synthesizers that they are too complex. This makes the unit actually a hybrid 
that combines the operational ease of an analog synthesizer with the tonal quality of a 
digital model. 

The CZ-5000 also features a built-in digital sequencer essential for multi-track recording 
(MTR). This means that multiple track compositions free of noise can be produced easily. 
Adding another keyboard (with MIDI) also allows further performance versatility. 



4 Modes of the CZ-5000 



1 



NORMAL MODE 

•Play of preset timbres. 

•Modification of timbre data recalled from memory. 
•Creation of new sounds. 
•Application of various effects to timbres. 

•Saving of timbres created to built-in memory or external memory (commercially 
available cassette tape or optional RAM cartridge). 



2 



TONE MIX MODE 

•Mixing of any two timbres. 
•Independent setting of each timbre level. 



3 



KEY SPLIT MODE 

•Splitting of the keyboard into GPPER and LOWER portions for independent plaj| 
of two timbres. 
•Independent setting of each timbre level and effect. 



4 



SEQUENCER MODE 

•Recording of real time input from the keyboard. (8 tracks maximum.) 
•Recording of manual input. (8 tracks maximum.) 
•Keyboard play along with replay of recorded tracks. 
•Independent setting of each timbre level and effect. 

•Saving of recorded data of sequencer to external memory (commercially avail 
ble cassette tape). 



CONTENTS 



GENERAL GUIDE 



PERIPHERALS 






PRESET VOICES 

MEMORY VOICES 

EFFECT/OVERALL CONTROL 

PD (PHASE DISTORTION) SOUND SOURCE 

8-STEP ENVELOPE 

BLOCK CONFIGURATION 

TIMBRE DATA WRITE/SAVE/LOAD 



11 
11 
12 
14 
15 
16 
26 



TONE MIX SETTING 

EFFECT/OVERALL CONTROL. 



32 

32 



KEY SPLIT SETTING 

EFFECT/OVERALL CONTROL. 



33 
34 



mm a ,-mmBHcm.mm^:i 



mmm 



FUNCTION OUTLINE 

PLAYBACK (AUTO PLAY) 

REAL TIME RECORDING 

MANUAL RECORDING 

TRACK CHECK 

SEQUENCER DATA SAVE/LOAD. 



35 
36 
37 
39 
44 
47 



SEND/RECEIVE DATA 

MIDI IN EACH MODE 

SEQUENCER MODE APPLICATION EXAMPLE 



49 
50 
52 

55 

56 



CARE OF YOUR CINIT 



SPECIFICATIONS 



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® © © 



Power Switch 



©OVERALL CONTROL SECTION [TOTAL CONTROL] 



MASTER TUNE key - 
KEY TRANSPOSE key- 



i — Indicator 

TOTAL CONTROL 



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qu«| GLIDE ON/OFF key 

PORTAMENTO ON/OFF key 



Chorus Control 



Master Volume 



•MASTER TONE key 

Used to adjust the pitch of the entire key- 
board within the range of ±100 cent (half 
tone). 

• KEY TRANSPOSE key 

Transposes selections in half tone incre- 
ments within the range of G through F#. 

•PORTAMENTO ON/OFF key 

Switches portamento ON and OFF. The in- 
dicator above the key lights when ON, and 
portamento is applied according to the por- 
tamento time set using the PORTAMENTO 
key in the Effect Section CD. 



• GLIDE ON/OFF key 

Switches glide ON and OFF. The indicator 
above the key lights when ON, and glide 
is applied according to the NOTE and 
TIME values set using the GLIDE key in the 
Effect Section ®. 

• Master Volume 

Adjusts the volume levels for the head- 
phone and LINE OUT output. 

• Chorus Control 

Adjusts the chorus effect. 



MODE SELECT SECTION 

The keys in this section are used to select one of the four modes available with the CZ-5000. 



SOLO KEY 



®MIDI KEY 



Switches between monophonic (ON) and polyphonic (OFF) play. An indicator will light 
above the key when ON. 



Set to the ON position to specify the send/receive status when a MIDI instrument or per- 
sonal computer is connected to the MIDI terminal on the back panel of the keyboard. (See 
page 49.) 



©PROGRAMMER SECTION 



A total of 64 timbres are contained in memory (32 PRESET and 32 MEMORY). The keys 
in this section are used to select one of these timbres and to write timbres to memory. 



r-PRESET BANK keys 



& 



PROGRAMMER 



[] n c=i 



L 



MEMORY BANK keys 



3 



-Indicator 



WRITE key- 



COMPARE/RECALL key- 



-WMOJW- 



- Indicator 



CMMK 
MOUl 



* 



HH 



-Voice Selectors- 



• PRESET BANK keys 

Used to select one of the four preset banks. 
An indicator will light above the key 
pressed. 

•MEMORY BANK keys 

Used to select one of the four memory 
banks. An indicator will light above the key 

pressed. 

• Voice Selectors 

(Jsed to select one of the eight timbre 
memories in the selected bank. An indica- 
tor will light above the key pressed, and a 
message will appear on the LCD as shown 
in the following illustration. 



♦PRESET* C-2 

SYNTH. STRING'S 



PRESET BANK C, tone number 2 



♦MEMORY* 

fi-4 



•WRITE key 

Records timbres created using the 
Parameter Section © in the MEMORY 
BANK. 

• COMPARE/RECALL key 

Compares a timbre created by modifying 
a voice recalled from memory with the 
original (unmodified) voice. The modified 
timbre is temporarily stored in the COM- 
PARE/RECALL area of memory and the 
COMPARE/RECALL function is automati- 
cally turned ON (indicator lights above 
key). The original voice is recalled when 
OFF and the modified timbre is recalled 
when ON. 



MEMORY BANK A, tone number 4 



® LIQUID CRYSTAL DISPLAY (LCD) 



Such information as voice numbers, voice names, parameters and data appears on the 
LCD as the keyboard is being used. 



©DATA ENTRY SECTION 



DATA ENTRY 



WADE FORM 
FIRST=2 SECONDS 



DIGITAL SYWTHESEER 



-LCD 



-Cursor 



VALUE keys - 



ENVELOPE STEP keys 




DOWN I UP 



EHVSTtP- 



Q 



ENVKXNT- 



- CURSOR keys 



ENVELOPE POINT keys 



•VALUE keys 

Changes the data displayed on the LCD. 
Pressing Frj decreases the value by 1, while 
pressing ® increase the value by 1. Hold- 
ing down either key will cause the value to 
continuously increase/decrease. Also used 
for SAVE and LOAD operations with a RAM 
cartridge (optional) or commercially avail- 
able cassette tape. (See page 29, 47.) 

• CURSOR key 

Moves the cursor (blinking mark below the 
data) on the LCD. Basically, each press of 
the SI key moves the cursor one position 
to the left, while each press of the H key 
moves the cursor one position to the right 
when multiple data are being displayed. 
*TheH(YES) and® (NO) cursor keys are 
also used for SAVE and LOAD operations 



using a RAM cartridge (optional) or 
commercially available cassette tape 
(page 29, 47), INITIALIZE of the timbre 
data (page 24). 

•ENV STEP keys 

Used to adjust the envelope steps of each 
DCO, DCW and DCA envelopes provided 
in the Parameter Section®. Each press of 
the ® lowers the step while each press of 
the ® raises the step. 

• ENV POINY keys 

Used to specify the SUSTAIN POINT and 
END POINT of each DCO, DCW and DCA 
envelope provided in the Parameter Sec- 
tion^. 



® MT key & Cartridge key 



The keys in this section are used in connection with a RAM cartridge (optional) or com- 
mercially available cassette tape for saving or loading MEMORY BANK data or Sequencer 
Section ©data. 



•MT key 

Press as the initial step for performing 
SAVE and LOAD operations between the 
keyboard and a commercially available 
cassette tape. (See page 29, 47.) 



•CARTRIDGE key 

Press as the initial step for performing 
SAVE and LOAD operation between the 
keyboard and an optional RAM cartridge. 
(See page 27.) 



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©EFFECT SECTION 



The keys in this section are used to set data for applying four types of effects to all timbres 
using the ON/OFF keys and PITCH B END/MODULATION wheels. Any data modification 
is performed using the Data Entry Section®. 



EFFECT 



PORTAMENTO key ""$ I oure | GLIDE key 



BEND RANGE key 



KM I ■oouunotl 

RAHW I O0TH | 



MODULATION DEPTH key 



• PORTAMENTO key 

Used to set the portamento time. Por- 
tamento is applied according to the set 
value when the PORTAMENTO ON/OFF 
key of the Overall Control Section CD is ON. 

•GLIDE key 

Used to set the glide time. Glide is applied 
according to the set value when the GLIDE 
ON/OFF key of the Overall Control Sec- 
tion (Dis ON. 



•BEND RANGE key 

Used to set the PITCH BEND <3> variation 
range. 

• MOD DEPTH key 

Used to set the MODULATION ©variation 
range. The MODULATION WHEEL (ij) oper- 
ates in the range of the set value when the 
MODULATION ON/OFF key @ is ON. 



PARAMETER SECTION 

All parameters of timbre data are set using the keys in this section. All data modifications 
(except for line select parameters) are performed using the Data Entry section (7). 



® (D 

PARAMETER 



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©WAVE FORM key 

Press this key when you want to select the 
basic wave form for Line 1. An indicator 
lights above this key when ON. 



(6) DCO envelope key 

This key lets you set the pitch envelope for 
Line 1. An indicator lights above this key 
when ON. 



©DCW KEY FOLLOW key 

Press to make the wave form of the Line 

1 DCW approach a pure sine wave accord- 
ing to the pitch of the keys being played. 

@DCW envelope key 

Press to set the wave envelope for Line 1. 
An indicator lights above this key when 
ON. 

©DCA KEY FOLLOW key 

Used to set the time variance between the 
upper and lower registers of the keyboard 
for DCA 1. 

©DCA envelope key 

Press to set the parameters of the Line 1 
amplifier envelope. An indicator lights 
above this key when ON. 

®WAVE FORM key 

Press to select the basic wave form for Line 
2. An indicator lights above this key when 
ON. 

(fi)DCO envelope key 

Sets the pitch envelope for Line 2. An in- 
dicator lights above this key when ON. 

(DDCW KEY FOLLOW key 

Press to make the wave form of the Line 

2 DCW approach a pure sine wave accord- 
ing to the pitch of the keys being played. 

(DDCW envelope key 

Press to set the wave envelope for Line 2. 
An indicator lights above this key when 
ON. 

®DCA KEY FOLLOW key 

Used to set the time variance between the 
upper and lower registers of the keyboard 
for DCA 2. 



0DCA envelope key 

Press to set the parameters of the Line 2 
amplifier envelope. An indicator lights 
above this key when ON. 

(©VIBRATO key 

Press to set the vibrato effect independent- 
ly for each tone. Data setting itself is per- 
formed in the Data Entry section. 

® OCTAVE keys 

Press to shift the pitch range of each tone 
up or down in one octave steps. Data set- 
ting itself is performed in the Data Entry 
section. 

©DETUNE key 

Press to detune the pitch of Line 1 or Line 
2 without changing the tone, for Line 1* or 
Line 2'. 

®LINE SELECT key 

Changes line select in the order QQ -* SI 

-»■ CD + CD ->H] + S3 . The indicator 

above the selected line combination lights 

up. 

(9) RING key 

Causes Line 1 'or Line 2' to be ring modu- 
lated by Line 1. An indicator lights above 
this key when ON. 

(r) NOISE key 

Causes Line 1' or Line 2* to be modulated 
by noise. An indicator lights above this key 
when ON. 

©INITIALIZE key 

Initializes the settings of the various 
parameters (sets the respective data to 0), 
thus making it easier to start creating 
sounds right from the beginning. Press the 
INITIALIZE key and simultaneously press 
the key of the parameter to be initialized. 



©SEQUENCER SECTION 

The keys in this section are used for real time or manual note input for up to 8-tracks 
of recording and playback. 

•Track Selectors 



DELETE key 
Tempo indicator- 

TEMPO keys- 




TRACX/MANUALOATA- 



czj C3 



| POWW UP hEAi. TWq MAWUAL | RECOM) | 



I REPEAT I 



TRACK 
CHECK 



REPEAT key —I 
TRACK CHECK key — ' 



RESET 



I— RECORD THAI K 



CZJ CD 



-RESET key 
-RECORD key 



K^lFWq^^KAY^^STO 



L STOP key 
l — PLAY key 
1 — FORWARD key 
— REVERSE key 
MANUAL key 
1 — REALTIME key 



•Track Selectors 

Used to select tracks for recording, play- 
back or track check. Indicators light above 
the corresponding keys to show the tracks 
selected. Also used during manual record- 
ing to input notes, rests, repeat symbols, 
etc. 

• REALTIME key 

(Jsed to specify tracks for real time record- 
ing. Once a recording track is selected, the 
indicator above this key will light and the 
indicator above the corresponding key for 
the track selected will flash. Also used to 
display the remaining memory capacity. 

• MANUAL key 

Used to specify tracks for manual 
recording. 

•RECORD key 

Initiates real time recording. 

• RESET key 

Suspends recording and playback and 

returns to the beginning of the piece. 



•REV key 

Reverses the sequencer during recording 
and playback. During real time recording, 
playback will begin from the point at which 
the REV key is released, and adding to an 
existing recording will be possible. 

•FWD key 

Advances the sequencer at high speed dur- 
ing recording and playback. 

•PLAY key 

Commences playback. Also used to add to 
an existing recording. 

•STOP key 

Suspends recording or playback at any 
desired position. 

•DELETE key 

Used to delete a portion of data during 
manual recording. Also used to delete in- 
dividual tracks of data. 

• Tempo Indicator 

Flashes for each beat during playback or 
real time recording. 



lQ . 



•TEMPO keys 

Used to adjust the speed (tempo) of the 
playback. Tempo can be set to any one of 
45 speeds within the range of J = 40 — 
J = 256, and a numeric value represent- 
ing the tempo is displayed on the LCD. 



•REPEAT key 

Used for repeat playback. 

•TRACK CHECK 

Used to change the timbre and volume lev- 
el, as well to turn portamento and glide ON 
and OFF for tracks already recorded. 



©MODULATION ON/OFF KEY 
© MODULATION WHEEL 

Turned to adjust the vibrato depth according to the variation range set using the MOD 
DEPTH key in the Effect Section®. 

® PITCH BEND WHEEL 

Turned to control the pitch according to the variation set using the BEND RANGE key 
in the Effect Section (J). 

© KEYBOARD 



PERIPHERALS 



The CZ-5000 is not equipped with built-in speakers. A keyboard amp is required except 
when using headphones. 



Connection Diagram 



Power terminal 



5) FOOT VOLUME terminal (2) LINE OUT terminal (R/L) 



©SUSTAIN terminal 
(D Cartridge slot (7)MT terminal 

©PROTECT switch 



PHONES terminal 




I ?H<2J£ 

Accessory power cord 



Data recorder or 
cassette recorder 



Keyboard amp 

(AS-3000, AS-2000, etc.) Headphones 



(D POWER TERMINAL 

For connection of accessory power cord. 

CD LINE OUT TERMINAL (RIGHT/LEFT) 

For connection of a speaker with a built-in keyboard amp (such as the optional AS-3000). 
*Stereo output is only possible when both the RIGHT and LEFT terminals are connect- 
ed to speakers. 
Connecting only one of the two terminals will result in monaural output. 

(D PHONES TERMINAL 

For connection of headphones. 

® MIDI TERMINALS 

For connection of another keyboard or a computer equipped with MIDI terminals. 

(DFOOT VOLUME TERMINAL 

For connection of a foot volume pedal (optional VP-2) which allows fine adjustments 
of volume during keyboard play. 

* Volume is not raised when the foot volume pedal is not pressed or when the main 
volume of the keyboard is set to MIN. 

©SUSTAIN TERMINAL 

For connection of a sustain pedal (optional SP-1). Sustain effect applied when pedal 
is pressed. 

®MT TERMINAL 

For connection of a data recorder or cassette recorder. A built-in interface allows 
SAVE/LOAD operations (using commercially available cassette tape) of timbre data 
created with the keyboard or data played using the Sequencer Section. 

(D PROTECT SWITCH 

Used to protect against erasure of timbre data from the Programmer section or data 
played using the Sequencer Section. 



MEMORY PROTECT FUNCTION 



WRITE is impossible and data LOAD from an optional RAM 
cartridge or cassette tape is impossible when the PROTECT 
switch is in the ON position. This protects against inadver- 
tently erasing data (see page 26). The switch should usually 
be kept ON and only be set to OFF for WRITE and LOAD 
operations. 



PROTECT 

OFF ON 

[an 



Usually left ON 



CARTRIDGE SLOT 

For loading separately available RAM carridges. (See page 27.) 



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* PART 1 * NORMAL MODE 




•First, turn power ON by pressing the power switch located to the right of the keyboard. 
The display will appear as shown here when power is switched ON. 



+PRESET+ fl-1 
BRASS ENS.l 



-Display when power is switched ON. 

At this time the keyboard is set to the NORMAL mode and the Programmer Section auto- 
matically recalls PRESET A— 1, BRASS ENSEMBLE. 

32 preset voices selected using the PRESET BANK keys and VOICE selectors can be used 
for keyboard play. 



PRESET BANK keys 



VOICE selectors - 



"hJ-JL^® PRESET BANK selection 

PRESET ' X>_ / 

■ED hT iTi 




i VOICE selection 
*The name of the preset voice selected will be shown on the LCD. 

PRESET VOICE TABLE 





• •.,■.'■■ < ■ ■ - 


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iMSMti 


BRASS ENSEMBLE 1 


SYNTH, BRASS 


BRASS ENSEMBLE 2 


TRUMPET 




STRING ENSEMBLE 1 


STRING ENSEMBLE 2 


SYNTH. STRINGS 


VIOLIN* 


' r ' 


JAZZ ORGAN 


ELEC, PIANO 


ACCORDION 


FANTASTIC ORGAN 


■■;■'/?■. ■.:'/'■■ :. 


WHISTLE* 


FLUTE* 


BLUES HARMONICA 


DOUBLE REED 


§111 


FAT BASS 


SYNTH, BASS 


ELEC. GUITAR 


METALLIC SOUND 


VIBRAPHONE 


CRISPY XYLOPHONE 


SYNTH. GLOCKENSPIEL 


CARIMBA 


SYNTH. DRUMS 


STEEL DRUM 


SYNTH, PERCUSSION 


CONGA 


Wmm 


HUMAN VOICE 


FAIRY TALE 


CARILLON 


TYPHOON SOUND. 



*16-tone polyphonic (1 DCO). Ummarked are 8-tone polyphonic (2 DCO). 







The memory bank is composed of 32 memory areas to which original timbre data creat- 
ed using the Parameter Section can be written. MEMORY BANK keys A through D and 
VOICE selectors 1 through 8 of the Programmer Section are used to select a memory 
voice for recall. 



MEMORY BANK keys (A - D) 



VOICE selectors (1-8) 




® MEMORY BANK selection 



VOICE selection 



*The memory bank and voice number are displayed on the LCD. 
*The 32 memories of the MEMORY BANK are set at the factory with sample tones includ- 
ed in the separate "DATA BOOK". 



• Portamento time 



The following appears on the LCD when the PORTAMENTO key in the Effect Section is ON: 





EFFECT 




- - 




POftTft- 

WtKTO 


9UK 




-. — 




-. 1 


MWUTMf 
mm I 



PORTAMENTO 
TIME=25 



(00 £ TIME <. 99) 



The VALUE Hand H keys in the Data Entry Section are used to set the portamento time 
within a range of 00 through 99. The portamento time increases (portamento becomes 
slower) as the numeric value increases. 

PORTAMENTO ON/OFF 

Portamento is switched ON and OFF using the PORTAMENTO ON/OFF key in the Over- 
all Control Section. 

* Portamento is only applied for legato (subsequent keys are pressed while previously 
pressed keys are held down) when portamento is switched ON while the SOLO key is ON. 
•Portamento and glide mutually cancel each other. CP?!f ti 




GLIDE NOTE/TIME 

The following appears on the LCD when 
the GLIDE key in the Effect Section is ON: 




Cursor 



-24;$ NOTE s+24 
00<TIME £99 



NOTE indicates the pitch divergence from standard of the key pressed. Settings are made 
in half-tone units in the range of 2 octaves up and down (±24 half tones). When the key- 
board is pressed, the pitch successively changes from the set pitch to standard, thus 
producing a glide effect. The difference in pitch becomes greater as the numeric value 
increases. 

TIME indicates the glide time and is set within the range of 00 through 99. Glide time 
becomes longer (glide becomes slower) as the numeric value increases. 
The cursor is moved to TIME using the cursor keys in the Entry Section and the numeric 
value is set using the VALUE keys. 



• n. 



GLIDE ON/OFF 



BEND 



•BEND RANGE 



Glide is switched ON and OFF using the GLIDE ON/OFF key in the Overall Control Section. 
* Portamento and glide mutually cancel each other. 



Pitch is controlled by turning the PITCH BEND WHEEL 
located to the left of the keyboard. 




Pitch decreases 



BEND RANGE 
RflNGE=03 



The following appears on the LCD when 
the BEND RANGE key in the Effect Sec- 

ti0niS ° N: (00*RANGE*12) 

The VALUE keys in the Data Entry Section are used to set the pitch bend width at half- 
tone intervals within the range of 00 through 12 (±1 octave). Each increment of the nu- 
meric value increases the bend width by ±100 cent (±half tone). 



•MODULATION DEPTH 

The following appears on the LCD when 
the MODULATION DEPTH key in the 
Effect Section is ON: 



MODULATION 
DEPTH=25 



(00^ DEPTHS 99) 



The VAUJE keys in the Data Entry Section are used to set the MODULATION WHEEL depth 
within a range of 00 through 99. 

MODULATION WHEEL 

When the ON/OFF key above the MODULATION WHEEL is ON, 
rotating the wheel away from the front of the unit (see illustra- 
tion) will gradually increase the depth of vibrato. The MODU- 
LATION DEPTH set in the Effect Section will be applied with 
the wheel is rotated to its full (MAX) extent. 



•MASTER TUNE 




-j=i- 



The following appears on the LCD when 
the MASTER TUNE key is ON: 




MASTER TUNE 
PUSH UflLUE KEY 



Each press of the ® or ® VALUE key will respectively raise or lower pitch by 1.7 cent. 
* Simultaneously pressing the ® and ® keys will return pitch to the standard value 

(A4 = 442Hz). 
*The pitch value can be successively changed at high speed by holding down either VALUE 

key. 



•KEY TRANSPOSE 

The following appears on the LCD when 
the KEY TRANSPOSE key is ON: 



-£r 




KEY TRANSPOSE 
KEY=C 



13 



Each press of the Hor@ VALUE key will respectively raise or lower the key by half 
tone steps. The key is displayed at the cursor position. 



G«-A k 



SOLO 



SOLO key ON 

Volume 



Initial value. 



SOLO key OFF 

Volume » 



KEY ON KEY ON 




KEY ON KEY ON 
® ® 



KEY ON ©simultaneously deletes note®. Note ©remains even at KEY ON®. 

(Illustration shows a non-sustained tone.) 




(Fig. 1) 



The CZ-5000 employs a unique, CASIO developed PD (Phase Distortion) sound source 
system. This system is capable of producing a variety of wave forms by distorting the read 
phase angles of sine and cosine waves that are written in ROM. The pattern of the read 
phase angle distortion is determined by the specification of the DCO (VCO of analog syn- 
thesizer) WAVE FORM. The magnitude (modulation depth) of the read angle distortion 
corresponds to the momentary value of the DCW (VCF of analog synthesizer) envelope. 



Phase angle 




Waveform 



Polarity ( + /-) costf reversed for sake of 
example. 

Fig. 1 illustrates output of a non- 
distorted cosine wave when a co- 
sine wave in ROM is read with a 
linear phase angle. The phase 
angle is read at a constant speed 
from through 2x. 
What would happen if we in- 
crease the phase angle read 
speed from through tt and 
decrease it from v through 2w? 



(Fig. 2) 




As shown in Fig. 2, the phase 
angle read is distorted rather 
than linear, and the output co- 
sine wave takes on what is close 
to a saw-tooth pattern. 
What would happen now if we 
further increase the phase angle 
read speed from through -k 
and decrease it from -k through 
2tt? 



(Fig. 3) 




Fig. 3 shows that the output co- 
sine wave is almost a perfect 
saw-tooth pattern. 



1/1 



The revolutionary PD sound source system thus makes it possible to output waveforms 
that differ from cosine waves by simply distorting the cosine (or sine) wave read from ROM. 
Figs. 1 through 3 illustrate the patterns produced by increasing the phase angle read speed 
from through x while decreasing the speed from tt through 2t. This is the pattern effect- 
ed when the SAW-TOOTH waveform is selected in the DCO parameter. 
Read phase angles are also distorted in accordance with the selection of the other DCO 
parameter WAVE FORMs, thus making a variety of waveform outputs possible. 
The magnitude of the read phase angle distortion corresponds to the momentary value 
(change over time) of the DCW envelope. When the DCW envelope is set as shown in Fig. 
4, an undistorted cosine wave is output at point (a), distortion reaches its peak at point 
©, and a saw-tooth pattern as shown in Fig. 3 is output. Distortion is reduced (modulation 
become shallower) at point (B), and a pattern that is somewhere between a cosine wave 
and a saw-tooth wave as illustrated in Fig. 2 is output. 

When WAVE FORM is set to saw-tooth. 



DCW envelope 






Key ON 



Key OFF 



POINTS TO REMEMBER 



1 )The pattern of the read phase angle distortion corresponds to the WAVE FORM 

setting of the DCO parameter. 

2 )The magnitude of the read output phase angle distortion (modulation depth) cor- 

responds to the momentary value of the DCW envelope. 




The CZ-5000 features a dual system DCO/DCW/DCA, and each system has its own indepen- 
dent envelope generator for control of changes in notes, timbres and volume over time. 
The envelope generators can set up to eight steps including setting of the sustain point 
(the level at which a note is sustained while a key is depressed). This provides greater ver- 
satility than the conventional ADSR generator and makes sound creation possibilities vir- 
tually unlimited. 



(Fig. 1) 



\R* U 



R* 





L, 


'R, 






/Mr, 


v--R. 




/r, 


1 

SUSTAIN Point 




Lr^ 


"~"\ L > 


t 

Key ON 








Key 


OFF 




! 

END Point 



*Ri through Rj indicate 
the RATE (slope) of 
each various steps, 
while Li through Ls in- 
dicate the LEVEL (des- 
tination level). L! is 
reached at a slope of 
Ri in STEP 1, L 2 is 
reached at a slope of 
R 2 in STEP 2, etc. 



15 



Fig. 1 shows an example of an envelope employing 8 steps. There are two attacks before 
the sustain point, as well as a third attack after the key is released, resulting in an "after- 
envelope". 



(Fig. 2) 



(Fig. 3) 



CZ-5000 




Key ON 



Key OFF END Point 




Conventional analog synthesizers 



SUSTAIN 
level 



I Release ; 
I time ! 



Analog synthesizers usually require the setting of envelopes according to 4 parameters: 
Attack time, Decay time, Sustain level and Release time (hence, the name ADSR system). 
With the envelope generator of the CZ-5000, only 3 step settings are required to attain 
the same effect. 



The PD sound source of the CZ-5000 makes it a fully digital synthesizer. Actually, however, 
the DCO (pitch and basic waveform setting), DCW (timbre control), and DCA (volume con- 
trol) digital circuits of the Parameter Section result in a block configuration that closely 
resembles an analog synthesizer. The block configuration of the CZ-5000 consists of LINE 
1 and LINE 2 which make up a dual system. DETUNE allows you to create differences 
between the sounds generated by LINE 1 and 2 to produce subtle nuances. With LINE 
SELECT, a single line can be output or combined with the detuned line for a total of 4 
line output settings. 

CZ-5000 block configuration 



Z 



DCO 1 
(Pitch) 



VIBRATO 



N 



LINE 2 



ENV 

31 



DCO 2 
(Pitch) 




LINE 
SELECT 



•VIBRATO is the parameter that oscillates the low frequencies of the DCO and applies a vibrato 
effect. Another parameter applied to DCO is OCTAVE. 



■ DCO (DIGITAL CONTROLLED OSCILLATOR) 

DCO corresponds to the VCO of an analog synthesizer, and is comprised of WAVE FORM 
for selection of the basic waveform and ENV (pitch envelope) for control of the pitch over 
time for a pressed key. The dual system line provides an independent DCO 1 and DCO 
2 which can be used as desired. 



WAVE FORM 



Determines the basic waveform of a timbre. Independent settings can be made using the 
DCO 1 and DCO 2 keys. 

As can be seen in fig. a, there are eight types of basic waveforms: from SAW-TOOTH 
to RESONANCE III. Any one of these eight waveforms can be combined as shown in fig. 
b to produce a total of 33 waveforms suitable for virtually any application. 



(fig. a) 



l\CL>A_<AA (,,9b, MT_ 



SQUARE 



5 /l_ 6 JlAii^ ' jJlk 8 Ik /UlAiku. 

SAW- PULSE RESONANCE I RESONANCE [I RESONANCE 01 
(SAW-TOOTH) (TRIANGLE) (TRAPEZOID) 

*The three RESONANCE waveforms cannot be used in combination with each other. 
When the WAVEFORM key is ON, the LCD appears as shown in Fig. 1. 
< FI S' *> Indicator lights. 



-JtI- 




WfiUE FORM 



FIRST= 



SEC0ND=9 



-Cursor 



Fig, 1 indicates that only the saw-tooth pattern is selected. (Only the FIRST waveform is 
applied when SECOND = is displayed.) At this time, the VALUE keys can be used to 
set FIRST (the current position of the cursor) to a value from 1 through 8 to select the 
required waveform. Then the CURSOR keys can be used to move the cursor under the value 
of SECOND and the another waveform can be set using the VALUE keys (see Fig. 2). 
This procedure is used to select one of the 32 combinations of basic waveforms. 

(Fig. 2) 

0Either of the CURSOR keys is used to 



move the cursor. 



HflUE 
FIRST=1 



FORM 
SEC0ND=a 



[The VALUE keys are used to change the 
numeric value. 



WflUE FORM 
FIRST=1 SEC0ND=2 



♦Giving the same value to FIRST and SECOND is the same as when SECOND 
♦FIRST = 1, SECOND = 2 produces the same effect as FIRST = 2, SECOND 



•DCO ENVELOPE (PITCH ENVELOPE) 

DCO controls changes in pitch over time. Independent envelopes can be set using the DCO 

1 and DCO 2 ENV keys. 

The PITCH envelope sets the change in pitch over time up to 8 levels for pressed keys 

in accordance with the RATE and LEVEL. 

Now let's set up an actual 4-step envelope as shown in Fig. 3. 

(Fig. 3) 



Pitch 



66 



^This pitch maintained 
/ while key is pressed. 



La -SUSTAIN 
POINT 



00 1 






KEY 

ON 



KEY 
OFF 



^r 



Time 



END 

POINT 



&1 






WffiH 


n;,^UHI 99 


72 


60 


20 


; ;^4ife^q 99 


66 


24 


00 


suspend;] ••• 


SUS 


•** 


END 



1-7 



(7) When the ENV key of the DCO 1 or DCO 2 is pressed, the following appears on the LCD. 




SCJS will be displayed if the displayed STEP is a sustain point. 
END will be displayed if it is an end point. 

Pitch envelope STEP 1 selected. 



PITCH STEP1 *** 
RRTE=» LEUEL=*«» 



( 00 <nnm 2 ^ 99 
VOQ^ninz ^99 



Rate of step 1. 



Destination level of step 1. 



(2) Use the H VALUE key to raise the RATE 
value to 99. 

(D Use either one of the CURSOR keys to 
move the cursor under the LEVEL value. 
Use the ® VALUE key to raise the 
LEVEL value to 99. This completes the 
setting of STEP 1. 

® Use the ENV STEP H key to advance 
to STEP 2. After ensuring the STEP 2 
is displayed, follow the same procedures 
outlined for STEP 1 to set the RATE to 
72 and the LEVEL to 66. 

(D Press the ENV POINT SUSTAIN key to 
designate STEP 2 as a SUSTAIN POINT. 

® Use the ENV STEP S key to advance 
to STEP 3 and set the RATE to 60 and 
the LEVEL to 24. 

(7) Use the ENV STEP H key to advance 
to STEP 4 and set the RATE to 20. Then 
press the ENV POINT END key to set 
the END POINT, and the LEVEL will au- 
tomatically be set to 00. 



PITCH STEP1 **+ 
RfiTE=99 LEUEL=** 



PITCH STEP1 *** 
RflTE=99 LEUEL=99 



PITCH STEP2 +++ 
RRTE=72 LEUEL=66 



SUSTAIN POINT 



PITCH STEP2 SUS 
RRTE=72 LEUEL=66 



PITCH STEP3 *## 
RflTE=6@ LEUEL=24 



END POINT 



PITCH STEP4 END 
RRTE=28 LEUEL=8@ 



LEVEL of the last step is 00. 



'It is not necessary to press the END key if the END POINT is already set. 



RATE/LEVEL NUMERIC VALUES 



RATE 

The RATE indicates the slope (interior angle in relation 
to horizontal) of each step in the envelope. R = 99 indi- 
cates nearly 90° while R = indicates nearly 0°. Since 
the value used is an absolute value, the slope increases 
and decreases in direct proportion with the value of R, 
regardless of whether the pattern shows a rise or fall. 
This means that a steep incline results in a quick level 
change while a gentle incline results in a slow level 
change. 
LEVEL 

The LEVEL indicates up to what point each step rises 
or falls (destination level), and the range is from 00 
through 99. For the DCO envelope, LEVEL means the 
pitch height, and a value of 00 is the pitch of a pressed 
key. For the DCW envelope, L = 99 results in a basic 
waveform (see page 20 for details). For the DCA enve- 
lope, LEVEL means the volume. 



LEVEL 



R 2 = 99 /Y R 2 -- 65 



Ri=66 



TIME 



Ri=99 




NOTES 



•Even if the ENV STEP® key is pressed, it will be impossible to advance from the 
present step if END POINT is specified. In this case, press the ENV POINT END 
key again to cancel the END point and then press the ENV STEP® key. If an END 
point is cancelled within STEP 1 through 7, an END POINT is automatically desig- 
nated in STEP 8 and previously set data is automatically restored. 

•The LEVEL for a STEP that includes an END POINT is fixed as 00 and cannot be 
changed. 

•When a SUSTAIN POINT is designated in a STEP, SUSTAIN POINTs set in other 
STEPs are cancelled. 



DCW (DIGITAL CONTROLLED WAVE) 

DCW corresponds to the VCF of an analog synthesizer, and is comprised of KEY FOL- 
LOW for control of the waveform corresponding to the keyboard range, and ENV (wave 
envelope). The dual system line provides an independent DCO 1 and DCO 2 which can 
be used as desired. 



KEY FOLLOW/DCW 

This parameter applies a difference change in the DCW envelope level in accordance with 
the pitch of the key played. The DCW 1 and DCW 2 KEY FOLLOW keys are used to in- 
dependently set each key follow. 

Key follow can be set to levels ranging from through 9. The higher the note played, 
the closer, the waveform comes to being a sine (cosine) wave. (See Fig. 4.) 



(Fig. 4) 



^LX 



t^_ 




9 AA 



Sine wave 



Key follow (DCW) for saw-tooth pattern basic waveform. 




The LCD appears as in Fig. 5 when the DCW KEY FOLLOW key is pressed. 
(Fig. 5) 



-r^c- 1 




KEY FOLLOW 
WflUE RflNGE=n 



(0^n^9) 



The VALUE keys in the Data Entry Section are used to set the RANGE value within a 
range of through 9. The greater the RANGE value the greater the waveform level vari- 
ance (timbre change rate) in the upper registers. A setting of 9 represents the maximum 
variance. 



19 



DCW (WAVE) ENVELOPE 

This parameter controls the timbre (waveform) change over time, and the DCW 1 and 
DCW 2 ENV keys are used to independently set the timbre envelopes. The timbre enve- 
lope is used to set the timbre (waveform) change over time for a pressed key in accor- 
dance with the RATE (slope) and LEVEL (destination level). Settings can be made to a 
maximum of 8 steps. 

(Fig. 6) WAVE FORM 1 (Saw-tooth) 



Basic 
waveform 



---99h - 



r\f\ ... 



Sine 



L: 

An, 

\ 



This timbre (wave- 

/ form) sustained while mm 
key is depressed. 



J-Aj \ -opi— i _... 

KEY 

ON 



l_2 = SUSTAIN 
POINT 



KEY J 
OFF END 

POINT 



Time 



[ etfepi fsife* a'. insfc » 


Kiiiifii k 


60 


60 


..; ifvia ?ij 99 


50 


00 


^■ftjt-wb? ■] — 


SUS 


END 



The change of timbre over time is in accordance with the DCW envelope LEVEL. A sine 
wave is attained when L = 00 and the basic waveform is attained when L = 99. 

The LCD appears as in Fig. 7 when the DCW 1 or DCW 2 ENV key is ON. 



(Fig- 7) 



Wave envelope STEP 1 is selected. 



SOS will be displayed here if the dis- 
played STEP is a sustain point. END 
will be displayed if it is an end point. 



WflUE STEP1 +++ 
RRTE =w ' w? LEUEL=»'»* 



Rate of STEP 1. 



Destination level of STEP 1. 



•Operational procedures are identical to those previously explained for the DCO enve- 
lope (page 18). Data is set using the VALUE, CURSOR, ENV STEP and ENV POINT SUS- 
TAIN/END keys. 

■ DCA (DIGITAL CONTROLLED AMPLIFIER) 

DCA corresponds to the VCA of an analog synthesizer and independent volume enve- 
lopes can be set using the DCA 1 and DCA 2 ENV keys. 

KEY FOLLOW/DCA 

This is the parameter that applies a variance to the DCA envelope in accordance with 
the pitch of the key played. The DCW 1 and DCW 2 KEY FOLLOW keys are used to in- 
dependently set each key follow. 
The higher the note played, the shorter the time of the volume envelope. 

(Fig. 8) 



Volume envelope (DCA) 




Time becomes shorter. 



lilllBll 



tiUXK COMfiOyRATIOfV 



•20* 



The LCD appears as in Fig. 9 when the DCA KEY FOLLOW key is pressed. 
(Fig. 9) ~:4<-- , . 

on kTV Fin i ni.i 

(0 < n ^ 9) 




KEY FOLLOW 
AMP RRN8E=» 



The VALCJE keys are used to set the RANGE value within a range of through 9. The 
greater the RANGE value the greater the time variance in the upper registers. A setting 
of 9 represents the largest variance. 

DCA (AMP) ENVELOPE 

This is the parameter that controls volume change over time, and the DCW 1 and DCW 
2 ENV keys are used to independently set the volume of the envelopes. The volume change 
over time of a pressed key is set in accordance with the RATE (slope) and LEVEL (desti- 
nation level). Settings can be made to a maximum of 8 steps. 

(Fig. 10) Piano amp envelope 
Volume 






ImmS-M 


35 


20 


25 




' ' .' /' 


99 


55 


99 


80 


70 


00 


00 




»»» 


•»• 


sus 


END 


'T..". , . J *' ■ 7E~ A 





Time 



END 
POINT 



This is an example of a piano envelope where the sound produced by a pressed key gradu- 
ally decreases. If the key is released before the sound is completely attenuated, the sound 
quickly decreases. If the key is released before the SUSTAIN POINT is reached, the enve- 
lope jumps to the last step in which the END POINT is specified. 

The LCD appears as in Fig. 11 when the DCA 1 or DCA 2 ENV key is ON. 

(Fig. 11) 




Amp envelope STEP 1 
is selected. 



SOS will be displayed here if the dis- 
played STEP is a sustain point. 
END will be displayed if it is an end 
point. 



AMP STEP1 *** 
RATE =www * LEUEL =W/W * 



00^mim2 

00snin2 £ 



Rate of STEP 1. 



Destination level of STEP 1. 



Operational procedures are identical to those previously explained for the DCO envelope 
(page 18). Data is set using the VALUE, CURSOR, ENV STEP and ENV POINT SUS- 
TAIN/END keys. 



This completes the explanation of the DCO, DCW and DCA blocks. The most important 
point to remember is that these three blocks interract with each other to form a single timbre. 
Actual tone creation examples are given in the SOUND DATA BOOK. 



21 



i VIBRATO 



VIBRATO corresponds to the LFO of an analog synthesizer, and it oscillates the low fre- 
quencies of the DCO to apply a vibrato effect. This key is used to set 4 parameters: WAVE, 
DELAY, RATE and DEPTH. 

The LCD appears as in Fig. 12 when the VIBRATO key is pressed. 

(Fig. 12) 



^ch'- 




(D- 



HRUE=2 PELflY=15| 



d- irhte=3mi !PEfnH=4g 



-© 



© WAVE is the parameter that selects the vibrato waveform, and is set to a value in the 
range of 1 through 4 using the VALUE keys. The 4 waveforms are as follows: 



Wave 1 



Wave 2 



/\/ TRIANGLE 



SAW GP 



Wave 3 



Wave 4 



ru 



SAW DOWN 



SWGARE 



■ OCTAVE 



■ DETUNE 



(2) DELAY is the parameter that sets the time from when a key is pressed until the point 
at which vibrato is applied. DELAY is set to a value in the range of through 99 using 
the VALUE keys after the cursor is moved to the proper position with the CURSOR keys. 
The larger the value, the later vibrato is applied. 

(DRATE is the parameter that sets the period (speed) of the vibrato. RATE is set to a value 
in the range of through 99 using the VALUE keys after the cursor is moved to the 
proper position with the CURSOR keys. The larger the value, the faster the vibrato. 

© DEPTH is the parameter that sets the depth of the vibrato. DEPTH is set to a value in 
the range of through 99 using the VALUE keys after the cursor is moved to the proper 
position with the CURSOR keys. The larger the value, the deeper the vibrato. 



This parameter is used to raise and lower pitch by one octave, and each timbre can be 
set to a suitable pitch. 

The LCD appears as in Fig. 13 when the OCTAVE keys is ON. 

(Fig. 13) 




OCTflUE 

RfiNGE=+0 



The VALUE keys in the Data Entry Section are used to set the OCTAVE RANGE to a 
value of +1 (one octave up), or — 1 (one octave down). 

*The initial data settings for each preset and internal memory timbre also include an 
OCTAVE RANGE setting. 



The pitch between different tones in DCO 1 and DCO 2 can be detuned, the DCO 2 timbre 
pitch only can be detuned, or a DCO 1 with detuned pitch can be used in combination 
with a pitch that has not been detuned for the creation of a chorus effect. The result of 
a detuned Line Q] DCO is referred to as ffl , while that of a detuned Line [2 DCO is (2 . 






"SlUa 



The LCD appears as in Fig. 14 when the DETUNE key is ON. (The cursor is located below 
the OCT value.) 



(Fig. 14) 



Determines whether pitch is detuned _.. . . . 

upward { + ) or downward ( - ). f 1 ^ Is detu " e * ln _. 

I 1 octave units (1 ~ 3). 



DETUNE (+) 0CT=2 
N0TE=8.3 FINE=4S 



Pitch is detuned in 1/60 halftones. 
Pitch is detuned in halftone units (100 cents). 






1) Determining the detune direction (up/down) 

(Jse the CURSOR keys to move the cursor under the ( + /-) indicator and the VALUE 
keys to change between plus and minus. Set to + to raise pitch and to - to lower pitch. 

2) Detuning in 1 octave units 

Move the cursor under the OCT value and use the VALUE keys to change the value 
within a range of through 3. The pitch can be raised or lowered up to 3 octaves in 
one octave units. 

3) Detuning in half tone (100 cents) units 

Move the cursor under the NOTE value and use the VALUE keys to change the value 
within a range of through 11. The pitch can be raised or lowered up to 11 (100 cents). 

4) Fine detune 

Move the cursor under the FINE value and use the VALUE keys to change the value 
within a range of through 60. The pitch can be raised or lowered up to 1/60 half tones 
(approximately 1.7 cents). 

•Using data 1 through 4 in combination makes it possible to detune within a range of 
±4 octaves. If OCT, NOTE and FINE are all set to 0, LINE 3] = LINE (B and LINE \2\ 
= LINE [2|. 



■ LINE SELECT 



This function makes it possible to select the best line combination for the type of sound 
being produced. The data settings for each preset and internal memory timbre also in- 
clude LINE settings. 

The line setting changes in the following order each time 
the LINE SELECT key is pressed: 



IB SB SHB ffl+ai 




•Line select 3] 

16-note polyphonic for creation of simple sounds. 

•Line select SI 

16-note polyphonic for monitoring LINE HI during [TJ-+ (£1 tone creation. 

• Line select 31 + 12 

8-note polyphonic for creating sounds with complex harmonics structures. Same as (T) 
+ SI when all detune values (OCT, NOTE, FINE) are set to 0. 

•Line select CD + SI 

8-note polyphonic for ensemble and chorus effects. Same as ffl + ffl when all detune 
values (OCT, NOTE, FINE) are set to 0. 

* When more than 8 keys are pressed in 8-note polyphonic, the most recently pressed keys 
are usually given priority. 

RING MODULATION 

Pressing the RING key causes an indicator to light above the key and LINE ffl and LINE 
21 output is ring modulated by LINE (Tj . Pressing the RING key again will turn the func- 
tion OFF, Ring modulation is only possible when LINE SELECT is set to 3] + [zj or Q] 

+ 12. 

_r~~i^ ^h 

Ring modulation is used when creating bell-type sounds. 




NOISE MODULATION 

Pressing the NOISE key causes an indicator to light above the key and LINE \f\ or LINE 
El output is modulated by noise. Pressing the NOISE key again will turn the function 
OFF. Noise modulation is only possible when LINE SELECT is set to 3] + [2 or [TJ + [H . 
Noise modulation is used when creating wind or percussion sounds. 



*The RING and NOISE keys mutually cancel each other. 



Extreme settings in the Parameter Section can result in no sound production at all when the 
range of possible sounds is exceeded. 



INITIALIZE 



This function returns parameters to their initial settings. Press the key that corresponds 
to the parameter to be initialized while holding the INITIALIZE key down. The LCD will 
then show the initialized status of the parameter. 



(Example 1) Initializing the VIBRATO values. 
©Press an hold down the INITIALIZE key. 

I MtUUS 



(D Simultaneously press the VIBRATO key. 




<LCD> 




WflUE=i DELRY=00 
RflTE=00 DEPTH=00 



.O/l . 



(Example 2) Initializing the values of the DCA.l . 
©Press and hold down the INITIALIZE key. 



(D Simultaneously press the DC A 1 ENV key. 




<LCD> 




AMP STEP! SUR 
RflTE=99 LEUEL=99 



.pri0riai founds z^n-be^t^i4 r fo\\6w\rtqpM of two rjnfcthods: ■{■■'■'■■ " . ' : ';■"> 1 
; X) .Sfetectifig orie of the «-tl^:t^» theP(^rar^erSeOk>h ; t^k fs cibse^o tri^ 
desireef soxxnd and motfiftfia^.it as required,' - ; ■■■."■ ■': ■■■; :■■'; ■•-.■; : I 

2) -Intt&fizthg. ?tt peTWnetferi<brjd starting from scra&H. .' ■■ V. 



The following table shows each parameter's initialized values: 



m 



■ Parameter 



imm 



VfeRATOj 
OCTAVE 



tee*' ' '■•T1 



AVAVEFOflM 



WTO* ENVELOPE 



WAVE = 1, DELAY = 00, RATE = 00, DEPTH = 00 



RANGE = 



FIRST = 1 
SECOND - 





STEP 1 


STEP 2-7 


STEP 8 


RATE 


50 


50 


50 


LEVEL 


00 


00 


00 


ENV POINT 


sus 


* * * 


END 



DCWt^YFbLLOW 



RANGE = 



WAVE ENVELOPE i 
(DCW 4 . DCW 2) 





STEP 1 


STEP 2-7 


STEP 8 


RATE 


99 


50 


50 


LEVEL 


99 


00 


00 


ENV POINT 


SUS 


* + + 


END 



i|3^igii^^pf ia | RANGE = 



AMP; ENVELOPE 

VDCA K DCA 2V, 



DETUNE! 








STEP 1 


STEP 2-7 


STEP 8 


RATE 


99 


50 


50 


LEVEL 


99 


00 


00 


ENV POINT 


SCJS 


» + * 


END 



OCTAVE = 0, NOTE = 00, FINE = 00 



*Data is initialized to values that are the most convenient for the creation of new tones 
(00, 99 or middle). 






A 



B 



OR. 



TIMBRE DATA WRITE/SAVE/LOAD 



3 



WRITE is used to store newly created timbre data in the memory bank, SAVE is used 
to collectively store all timbre data to a RAM cartridge or cassette tape, and LOAD is 
used to reload data to the memory bank from cartridge or tape. 



MEMORY PROTECT FUNCTION 



The function protects against inadvertently erasing valuable timbre data 
from memory. LOAD from external memory sources and WRITE opera- 
tions cannot be performed when the PROTECT switch on the back panel 
of the CZ-5000 is ON. 



*The PROTECT switch should only be set to the OFF position during 
WRITE and LOAD operations. Keep the switch in the ON position for 
normal use and SAVE operations. 

*The memory protect function does more than just protect data. It is also 
functional for LOAD operations for sequencer data that has been saved 
to external memory. Details are given in the SEQUENCER MODE sec- 
tion on page 48. (It should be noted, however, that data SAVE/LOAD 
operations are performed in the NORMAL mode.) 



PROTECT 

OFF ON 



IPfflU 

T 

Usually left ON. 



i WRITE 



It is said we WRITE altered or newly created timbres when we store them to memory. Data 
altered in the Parameter Section are temporarily stored after alteration in the COM- 
PARE/RECALL area. Notice this is temporary. Data stored in the COMPARE/RECALL area 
will be erased the instant other data are altered. 

Therefore, it is necessary to WRITE important timbre data from the COMPARE/RECALL 
area to one of the 32 memory areas of the memory bank. 

Before beginning WRITE operations, confirm that 
the COMPARE/RECALL key is ON. 

©Set the PROTECT switch on the back panel of the unit to the OFF position. 




PROTECT SWITCH 
* ON * 



*The following will appear on the LCD when the 
WRITE key is pressed while the PROTECT switch is 
left ON. 

© While holding down the WRITE key, press, in order, the MEMORY BANK key (A ~ D) 
and then the Voice Selector (1 ~ 8) that corresponds to the area to which the data is 
to be written. 



(Example) WRITE to memory bank D-5 




"When the WRITE key is pressed, all indicators in the 
Programmer Section go out and the following is dis- 
played in the LCD: 



HOLDING DOWM THE WRITE KEY 



WRITE 
SELECT MEMORY! 



- HEMOftT- 




* Press first MEMORY bank key D and then Voice 
Selector key 5. Indicators will light above the respec- 
tive keys and the following will appear on the LCD: 



LLinhlN/ 



WRITE 
OK! 



R/*---~" 

"This display indicates that WRITE operations are complete, so the WRITE key can 
be released. MEMORY D-5 will appear on the LCD. 



*ui. 



d m *ik. 



■i i i " il i iil.'i. 



Ju* 



W&^£fflt*MR{mS£fflffiffl\ 



(D Return the PROTECT switch to the ON position. 



* Whan, a tijtibre \s uoahered-afteivcallmg. it fathe Programmer Section, or if WRITE ! 

,, is pertorj?»d.with thfc,qOMPAR^RECALL key OEF, the dat&fcr the timbre is.wriu 

. ten as 4t is to fjje specified memofy area ... This makes ?$ bosrfble'fo copy timbfes \ 

■ t^W^^I*^ i/-'^; : i : H :■■ ■ -4 ; /] 

•Always wfifirrh proper WWTfeopWatf bns by presiingja few Keyboard keys in thfej 

ireift^js^to^ .-'■: V"': "■■■■ ': J 



■ SAVE/LOAD 

Each WRITE operation requires the deletion of one of the existing 32 timbres stored in 
memory. This function allows data storage to and retrieval from external memory. SAVE 
stores the 32 timbres contained in memory to an RA-3 RAM cartridge (option) or a com- 
mercially available cassette tape. This clears all 32 memory areas for new timbre data. 
LOAD is used to recall stored data from external memory. 

RAM CARTRIDGE SAVE/LOAD 

Securely insert a RAM cartridge (RA-3, optional) into the cartridge slot located on the back 
panel. 



(Fifl- 1) 



CZ-5000 panel 




SAVE 

(DCorrectly load a cartridge (see Fig. 1). 

(2) Press the CARTRIDGE key in the SAVE/LOAD Section. 



DATA SAVE/LOAD 



<LCD> 




CARTRIDGE 
SflUE OR LOAD 



'Press the SAVE (H) key in the Data Entry Section. 

<LCD> 




SflUE CARTRIDGE 
BANK fi,B CY/N>? 



'Separate SAVE/LOAD operations are performed for A/B (16 timbres) and C/D (16 

timbres). Here, the display shows that A/B are ready for SAVE. 

To save C/D, first press the NO (O) key. 

<LCD> 




SflUE CARTRIDGE 
BANK CD <Y/N>? 



L- — Memory banks C/D selected 

©Actual SAVE operations will begin when the YES (B) key in the Data Entry Section 
is pressed. After banks A/B are saved <LCD> 





SflUE CARTRIDGE 
BANK fi ? B OK! 


"~ T T T 4^ 






After banks C/D are saved 




SflUE CARTRIDGE 
BANK CD OK! 



* SAVE operations are complete when "OK" is displayed. 

LOAD 

©Correctly load a cartridge (see Fig. 1). 

(2) Set the PROTECT switch located on the rear panel of the unit to the OFF position. 
♦LOAD cannot be performed and the following will appear on the LCD if the PROTECT 
switch is left ON. 



PROTECT SWITCH 
* ON * 



(D Press the CARTRIDGE key in the Data SAVE/LOAD Section. 
(4)Press the LOAD (S) key in the Data Entry Section. 




*To load C/D, first press the NO (Q) key. 

(DActual LOAD operations will begin when the YES (H) key in the Data Entry Section 

is pressed. 

Banks A/B LOAD Banks C/D LOAD 



LOAD CARTRIDGE 

BANK A ? B OK! 



LOAD CARTRIDGE 
BANK CD OK! 



♦LOAD operations are complete when "OK" is displayed. 

♦Data passed between the keyboard and RAM cartridge is handled in sets of A/B and C/D. 
A/B data saved on a cartridge can only be loaded back into memory as A/B. 






NOTE 



►The following error messages will appear on the LCD if SAVE/LOAD operations are 
attempted when a RAM cartridge is not loaded or if it is improperly loaded. 



SflUE CARTRIDGE 
* ERROR * 



LORD CARTRIDGE 
* ERROR * 



If such messages should appear, reinsert the cartridge as far as it will go and 
reattempt SAVE/LOAD procedures. 

•The optional RA-3 RAM cartridges are equipped with a built-in battery (BR-2016) 
that will preserve contents for approximately 1 year {longer if the RAM cartridge 
is inserted in the CZ-5000). If the cartridge is stored outside of the keyboard unit 
for extended periods, the battery should be periodically replaced to avoid altera- 
tion or erasure of data. (See RA-3 OPERATION MANUAL.) 

*RAM contents are erased when the battery is replaced. Load the data from the car- 
tridge to the keyboard before changing the battery. 



►CASSETTE TAPE SAVE/LOAD (MT FUNCTION) 

A commercially available data recorder or standard tape recorder and a new (unrecorded) 
cassette tape are required for the following procedure. 

As shown in Fig. 2, the recorder is connected to the CZ-5000 using the accessory MT con- 
necting cord. 
(Fig. 2) C2-5000 rear panel Data recorder 



MT terminal 




Accessory MT connecting cord 



*The RECORDER end of the connecting cord is divided into 3 plugs: white (REMOTE), black (LOAD) 
and red (SAVE). 

CONNECTING THE RECORDER 

White: To remote (REM) terminal of recorder. 

*Not used for recorders without remote terminals. 

Black: To earphone (EAR) or load (LOAD) terminal of recorder. 

Red: To microphone (MIC) or save (SAVE) terminal of recorder. 

*Actual connections may differ according to the make andfor model of the tape recorder 
being used. Refer to the respective operation manual for your recorder to ensure proper 
connections. 

SAVE 

(D Load a cassette tape into the recorder. 

*If the tape recorder being used is equipped with a remote terminal, press the RECORD 
(or SAVE) button of the recorder to put it into its RECORD mode. 



i ?AgT VBQMVVVMOPE i 



©Press the MT key in the Data SAVE/LOAD Section. 

<LCD> 



DATA SAVE/LOAO 



--EF-- 




MT 
SflUE VERIFY LOAD 



Press the SAVE ((▼)) key in the Data Entry Section. 

<LCD> 




Id 



»m iO*a 



SflUE HT 
BANK fl ? B <Y/N)? 



'Separate SAVE/LOAD operations are performed for BANK A/B (16 timbres) and BANK C/D (16 
timbres). Here, the display shows that A/B are ready for SAVE. To save C/D, first press the NO (f^"l) key. 

<LCD> 



SflUE MT 
BANK C*D Ct'/NV? 



Memory banks C/D selected 



'.^m^^^^^)'^'^^^^^^ 1 ^^ Section wtfl cause the data transmission 



^^9©i^?fe^*f tf - #ii«^JWlw' A/B timbre data 



%- HE 







#BI> W | 



■>>sjHOkfiy; 



Banks QO Urnbrtfdata 



(4) Press the YES ((F)) key in the Data Entry Section after performing operations to begin 
recording for the tape recorder being used. (Approximately 18 to 20 seconds are re- 
quired.) 



<LCD> 
Banks A/B SAVE- 



Transmitting 



SAVE complete 



SflUE MT 
BANK fl,B RUN! 



SflUE MT 
BANK fl,B OK! 



Banks C/D SAVE 



Transmitting 



SAVE complete 



SflUE MT 
BANK CD RUN! 



SflUE MT 
BANK CD OK! 



'SAVE operations are complete when "OK" is displayed. Release the tape recorder from 
the record mode. (Recorders equipped with a remote terminal automatically stop.) 



fypi^H53 



^ TIMBftEWTA JWTEffiWS/tQAfil 



^n 



VERIFY 



Besides SAVE and LOAD, the MT function also performs VERIFY which confirms that 
data has been correctly saved. VERIFY should always be performed immediately af- 
ter SAVE. 

(J) Rewind the cassette tape to a point immediately before the data to be verified. 
(2) Press the MT key in the Data SAVE/LOAD Section. 
(^ Simultaneously press the SAVE and LOAD keys in the Data Entry Section. 

*To verify BANK C/D, first press the MO (H) key. 
©Press the YES (®) key in the Data Entry Section and then start tape playback. 

After aproximately 18 or 19 seconds, "OK" will appear if data was saved correctly. 



UERIFY MT 
BANK fl ? B OK! 



*lf "ERROR" appears on the LCD, resave the data. 



LOAD 

©Load a cassette tape into the recorder. 

*If the tape recorder being used is equipped with a remote terminal, press the PLAY (or 

LOAD) button of the recorder to put it into its PLAYBACK mode. 
©Set the PROTECT switch located on the rear panel of the unit to the OFF position. 
•LOAD is impossible when the PROTECT switch is ON and attempting to load data will 

result in the following display (memory protect function). 



PROTECT SWITCH 
+ ON * 



CD Press the MT key in the Data SAVE/LOAD Section, 
(?) Press the LOAD (S) key in the Data Entry Section. 



•To load BANK C/D, first press the NO (S) key. 




(D Press the YES (B) key in the Data Entry Section after performing operations to begin 
playback for the tape recorder being used. (Approximately 18 to 20 seconds are required.) 



LOAD MT 
BANK fl,B RUN! 



•LOAD operations are complete when "OK" is displayed. Release the tape recorder from 
the playback mode. (Recorders equipped with a remote terminal automatically stop.) 
•Return the PROTECT switch to the ON position after LOAD is complete. 

.&r^}&3$Uifa$ J ^ing di*ta?^^^ion wttr^'^^^^inrtg.1o.-.be displayed; 1 

6tftf&l^i^ ,"" V-J^^*.- ■■'■'■■;■*■■ .'V 1 ' -''' .'■*.■■' -''.■;..',.. 

!T thi$sJwmdrrtppeH rewind tlie tape and restart \t^prod^T**Uom&\e tegirtrting./ ) 

* Dabr^ru^toloneerr be dmceiltd white tn operation by pressing the t\T, key. At ; | 
this time, an error message will appear on the/LCtX/. '. - : ; 






^■■■■^ 



31 



* PART 2 * TONE MIX MODE 



TOWE MIX SJETtlWe 



With the CZ-5000, two different timbres can be mixed for output. The volumes of the 
individual timbres that make up a tone mix can be independently controlled. At this time, 
the keyboard becomes 4-note polyphonic. 

©Press the TONE MIX key. 




TONE MIX 

LEU1=15 LEU2=1? 



T 



t 



cr 



Volume level of TOME 1 



Volume level of TONE 2 



(2) Tones can be selected and the volume can be set for the position {LEV 1/LEV 2) at which 
the cursor is located, in the situation shown above, the cursor is below the level for TONE 
1, and so the timbre and volume level can be changed. 

•Select 1 timbre using the PRESET and MEMORY BANK keys in the Programmer 

Section. 
•Use the VALUE keys to set the volume level within a range of 1 through 15. A setting 

of 15 represents maximum volume. 

(l)Use the © CURSOR key in the Data Entry Section to move the cursor under the LEV 
2 value. Set the timbre and volume level in the same manner as that outlined for LEV 1. 



EPPECr/OVERALL CONTROL 



1 



The Effect and Overall Control Sections operate just as in the NORMAL MODE for tone 
mixed timbres. Setting procedures are identical, and each function is commonly applied 
to both of the mixed timbres. 

•PORTAMENTO TIME and ON/OFF 
•GLIDE/NOTE and ON/OFF 
•PITCH BEND and MODULATION DEPTH 
•MASTER TUNE and KEY TRANSPOSE 

•With the exception of MODULATION, effect ON/OFF can be independently set in 4 modes: 
NORMAL, TONE MIX, KEY SPLIT and SEQUENCER. Each effect data (numeric) and 
modulation ON/OFF are common for 4 modes. 

*Monophonic play of the tone mixed data is possible when the SOLO key is ON. 



^l^rifeiifitaif JMSltai^S ' *w :-#*i3r*^'-in ■ tnernoi^. $o they- are not cancelled by changing to j 
itibthe^ m^e^and"^ th« TOME 

-^H^&v&^Ktiagfr tONE 1 arift ItJftE 2 and the -yoiume level are retained, ;a)I effects j 
.^i* ? Wftw:d OFF *ben;ii^ pKi^f ^f th« urtlt it switcrved OFF. . \ u ■■-.• ■■■ ^\'-'* 



r^fiT^r-t^ 



^m 






39 



* PART 3 * KEY SPLIT MODE 



With the CZ-5000, two timbres can be assigned to the upper and lower ranges of the key- 
board. The split point of the keyboard and the individual volumes of the two timbres can 
be freely set, and effects can be set to ON and OFF. 



K£Y SPLIT SEtfOTG 



Press the KEY SPLIT key in the Mode Select Section. 




<LCD> 



Qp ; J niJCD 
•_ s r ; L'_>|A]i.-.i\ 

■,.. ( U ; LLv— J. J 



i innrn 

i i j — rcr ,: . 

L.ElV'""I'J 



SPLIT POINT = 30 ' \ 

LOWER timbre level (JPPER timbre level 
(1 ~ 15) (1 ~ 15) 



(DGse the CURSOR keys to move the cursor to the SPLIT POINT value. Use the VALUE 
keys to set the value within a range of 1 through 60. This determines the split point. 




SPLIT POINT = 30 



(D Use the H CURSOR key to move the cursor to the LOWER LEVEL value. Here, the LOW- 
ER timbre and volume level are set. 

•Select one of the timbres from the PRESET or MEMORY banks in the Programmer 
Section. The timbre selected will be playable to the left of the split point. 

•The VALUE keys in the Data Entry Section are used to set the volume level within 
a range of 1 through 15. A setting of 15 represents maximum volume. 

®Use the E CURSOR key to move the cursor to the UPPER LEVEL value. Select the 
timbre and set the volume in the same way as for the LOWER LEVEL. 

Now the keyboard is split for simultaneous, separate play of two timbres. 






mwm 



QO 






The Effect and Overall Control Sections operated just as in the NORMAL MODE for key 
split timbres. Setting procedures are identical, but each function is independently set for 
the UPPER and LOWER timbres. 

•PORTAMENTO TIME and ON/OFF 
•GLIDE/NOTE and ON/OFF 
•PITCH BEND and MODULATION DEPTH 
• MASTER TUNE and KEY TRANSPOSE 

♦PORTAMENTO and GLIDE effects are applied to the timbre at which the cursor is locat- 
ed when the respective control key is pressed. 

*SOLO key ON/OFF setting can also be applied independently to the timbres the same 
as for PORTAMENTO and GLIDE. 



IVSMMZ^'S^ ^^'^^'^^^^J*^-^^^W' [ ^' t ''^^ 4; 




ttjuKtf fe&by ctH&£^?to; 4 1 



* PART 4 * SEQUENCER MODE 



fe^<v^^^ : ^?;>;-': 




(1) 8-TRACK RECORDING 

Different timbres can be recorded in each one of the eight tracks. The LINE status (1DCO 
or 2DCO) does not limit the track that can be recorded. 

(2) DUAL RECORDING SYSTEM 

Real time and manual recording systems are available. These systems can be used inter- 
changeably. 

• REALTIME RECORDING 

Records sound just as it is produced on the keyboard, and polyphonic recording is possi- 
ble in each track. Memory capacity is a total of 3500 notes (if all notes are input in real time). 

• MANUAL RECORDING 

Motes, values and timbres are all input individually, and monophonic recording is possi- 
ble in each track. Memory capacity is a total of 7000 notes (if all notes are input manually). 



(3) TRACK CHECK FEATURE 

This feature allows the modification of timbres and volume level in each track after record- 
ing is complete. 

(4) UP TO 8-NOTE POLYPHONIC 

Basically, when the total POLY VALUE reaches 8, recording becomes impossible in the 

remaining, empty tracks. 

(Example) 



Track 



TR. 1 






TR. 2 






TR. 3 






TR. 4 






TR. 5 






TR. 6 




TR.7 




TR, 8 





POLY value Recording system 

Real time 



2 POLY 
1 POLY 
1 POLY 

3 POLY 
1 POLY 

X 

x 

X 



Manual 
Real time 
Real time 
Manual 

Recording impossible 



Total 8 POLY 



Recording POLY total 





1 


2 


3 


4 


5 


6 


7 


8 


POLY value available for keyboard play 
(POLY value available for recording) 


8 


7 


6 


5 


4 


3 


2 


1 






(5) POLY VALUE EXPANSION WITH MIDI 



For real time recording, the limit on the POLY value is eliminated when an external sound 
source with a MIDI terminal (MIDI keyboard) is used. 



35 




rtofimWirriii 



PLAY 



Playback starts when the PLAY key is ON 
and the play timer (4 digits) on the LCD 
continually increases by 1 with each beat. 



Play timer 



Tempo 



i/iV 1 i-. 



iri — .1. .iT-U 

I r;fd\ -nti 



•STOP 
•RESET 
•FWD 
•REV 



Keep ON unless external sound source 
is used with MIDI. (See page 53). 

Suspends playback at any point. 

Returns to the beginning of the piece and suspends playback. Play timer is reset to 0000. 
Advances play at high speed { J = 256). 
Reverses play at high speed ( J = 256). 






; .■i.-.-t... J.:.- -. ■■L.:- ™™;^ f/^^'^- : ' ■ 




Always lights when stopped, whether at the 
beginning of the piece or part way through. 



TRACK ON/OFF 



The indicators will light above the track selector keys to show which tracks have been record- 
ed. Pressing a track selector key to turn the indicator off will cancel track output whether 
at the beginning of a selection or part way through. 

indicators automatically light to show recorded tracks. 



THACK 1 2 3 4/61 74 

^^~^~ ^^ ^*»y ^^ ths? W^ ' 




TEMPO 



TEMPO setting can be made at any one of 45 steps within a range of J =40 through 
256. Tempo settings are made using the TEMPO keys, and are displayed on the LCD. 



MINOS ONE PLAY 

When the cumulative POLY value of the recorded tracks is less than eight, the remaining 
number of polyphonies are available for play along with recording playback. 

* The Programmer Section and Overall Control Section indicators on the panel of the 
keyboard show the status of the MINGS ONE PLAY timbre. Timbre changes, 
GLIDE/PORTAMENTO ON/OFF, pitch bend modulation and the sustain pedal are all 
applied to the MINGS ONE PLAY timbre and have no effect on the contents of playback. 

* The keyboard POLY value is not affected even if recorded track selectors are switched OFF. 

* The SOLO function is inoperable during MINGS ONE PLAY. However, the SOLO key 
will automatically light when the cumulative POLY value of the recorded tracks equals 7. 






OTHER 



The following data can be changed when playback is suspended the same as in the NOR- 
MAL MODE: 

(1) Settings that commonly affect sequencer tracks and the keyboard 

•PORTAMENTO TIME 

•GLIDE NOTE/TIME 

•MASTER TUNE and KEY TRANSPOSE 

•MIDI 

(2) Settings that affect only the keyboard 
•BEND RANGE 

•MODULATION DEPTH 




'tS&tM 



(1) TRACK SETTING 

While pressing and holding down the REAL TIME key, simultaneously press the track selec- 
tor that corresponds to the track in which you wish to record. The indicator above the 
track selector pressed will blink. 

The LCD will appear as follows when a recording track is selected: 



(Fig.l) 



Timer 



Tempo 



®~ 



L.-ft.-iL.IL.I-PP 



1 VM 



irQT -\ m 

.r ri f — 4i i 



POLY value Cursor Beat (1 — 9) and rhythm volume level (H/M/L/-) 



<D POLY SETTING 



The CURSOR keys are used to move the cursor to the POLY value on the LCD, and the 
VALUE keys are used to set the record POLY value. 

* If other tracks have been recorded, the maximum POLY value will be the number of 
remaining tones. For examples, if the cumulative recorded POLY value is 3, the next 
POLY value can be set within a range of 1 through 5. 

* The SOLO key will be ON only if POLY=l. 

<D BEAT SETTING 

Use the H CURSOR key to move the cursor to the BEAT value (4 on the previous dis- 
play). This value indicates the number of beats. Use the VALUE keys to set the number 
of beats within the range of 1 through 9. 

The M to the right of the BEAT value shows the rhythm volume. During real time record- 
ing, a rhythm sound is provided for every beat, and the first beat of each measure will 
be accented. The volume of the rhythm can be set to either H (high), M (medium), L (low) 
or — (no rhythm). 

* A one measure interval (with rhythm) is included at the beginning of a real time record- 
ing. This is true even if the volume of the rhythm is set to — {no rhythm). 

*No interval is included at the beginning of recording started part way through a piece. 

(D TEMPO SETTING 

Tempo setting is the same as that for playback (See page 36). 



37 



(2) INITIATING RECORDING 

Press the RECORD key while a track is in the set status (indicator above a track selector 
is blinking). 



■* i. 



Lit — >-M~ 

. Recording begins after one measure. (See above). 

(Anything played during in this measure is not recorded.) 




• The follwing data is recorded to the sequencer in real time. These can be changed dur- 
ing recording. 

• Keyboard data (note pitch and value) 

• Timbre (selected from among the 64 available in the Programmer Section) 

• PORTAMENTO/GLIDE ON/OFF 

• Sustain pedal ON/OFF 

(3) FINISHING RECORDING 

Recording can be suspended either by pressing the STOP or RESET key. The STOP key 
terminates recording without changing the track being recorded, and, if the RECORD key 
is pressed, recording can be continued from that point. The RESET key cancels the track 
being recorded, automatically returns to the beginning of the piece and then terminates 
recording. 

Repeating steps (1) through (6) allows real time recording for multiple tracks. New tracks 
can be added while monitoring the tracks that have already been recorded (indicators above 
recorded tracks are lit). 

(4) ADD ON RECORDING 

During real time recording, erroneous data can be corrected using a technique known as 
"ADD ON" recording. ADD ON recording is performed as follows: 

•CORRECTION PART WAY THROUGH A RECORDING 

©Press the REV key and return to a point slightly before the part to be corrected. 

(D Playback will resume from the point at which the REV key is released. 

(D Press the proper keys on the keyboard when the portion to be corrected is reached. 



) Track being recorded 




„ 0)1 REV | 

Reverse 



Correction (new recording = Add on) \ 



Real time recording 



t 
Previous recording 

* Besides keyboard operations, selection of a timbre in the Programmer Section, as well 
as operation of the PORTAMENTO and GLIDE ON/OFF keys resume recording (all sub- 
sequent, previously recorded data is erased). 

* The indicator above the PLAY key will be lit during ADD ON recording, and the indicator 
above the RECORD key will automatically light when recording is begun. 



fm&mma 



•CORRECTION OF A COMPLETED RECORDING 

0Specify the track to be changed as the recording track. 

(D Press the PLAY key to begin playback. 

(3) Press the proper keys on the keyboard when the portion to be corrected is reached. 
(Timbre selection in the Programmer Section and PORTAMENTO/GLIDE ON/OFF oper- 
ation are also possible.) 



©Recording track set 
1 {Recorded track) 



-Error 



-Playback- 



CD ! PLAY 



7 
i 

'FWD can 
.also be used 



± 



(3; 



Playback 



Correction (new recording) 



Real time recording 



•CORRECTION DURING PLAYBACK 

Press the STOP key to suspend playback. 

Specify the track to be changed as the recording track. 

Press the PLAY key to begin playback from the point originally suspended. 

0Advance to the point to be corrected using the FWD or REV key and press the proper 
keys on the keyboard. {Timbre selection in the Programmer Section and PORTAMEN- 
TO/GLIDE ON/OFF operation are also possible.) 



© JS TOP | 



Error 



Playback track- 



iSet recording track 



® 



: Correction (new recording) 



PLAY 



Playback 



Real time recording 



The following appears on the LCD when a completed track is rerecorded during playback: 

Timer Tempo 



0035 

(7,-) 



J =128 

BEflT = 4Mt— Beat 



{3) indicates that the previous POLY value of the current track was 3. 
(It is necessary to delete the entire track to reset the POLY value.) 







(1) TRACK SETTING 

While pressing and holding down the MANUAL key, simultaneously press the track selec- 
tor that corresponds to the track in which you wish to record. 
The indicator above the track selector pressed will blink. 

* Track selection can only be performed when playback is stopped. 

The LCD will appear as follows when a *? 

recording track is selected: 



Mi-- 






PROGRAMMER ! ! 



POLY value is not displayed in manual recording (always monophonic). 



(2) INITIATING MANUAL RECORDING 

Select a timbre in the programmer section. 

Ex.) When A-l (BRASS ENS.l) is selected 

<LCD> 
Step 



PORTAMENTO OFF 






'tC'TI 






P=0 



ij br* 



Data included in [ ] is input 
1 step at a time. 



GLIDE OFF 
PST = preset. MEM is displayed 
when MEMORY voice is selected. 



* r 



[ ] denote the data input region. 



)To turn either portamento or glide ON, press the FWD key to advance one step. 
[ ] will be displayed at the P (portamento) and G (glide) data. (See below.) 



-■yf- 




Each press advances manual 
recording data 1 step. 



882 


p: 


5T 


r P= 


= x ' !§ 




R- 


-i 


■Sir- 


=0, 



P (portamento) and Q (glide) data can be input. 



Overall Control Section 

j — OWOfT— | 



SUM | 

T 



Mutually cancel each other 



f 'F-6 1 
,6=8, 

r p=r 

rp- , 

L lS=l 



Both portamento and glide are OFF 
• Poratmento ON 
•Glide ON 



(D Press the FWD key to advance to the 
next step, and now it's time to input ac- 
tual notes. 



883 P=l r 
G=0 L 



Data input begins 



(3) NOTE AND REST INPUT (BASIC OPERATION) 

Basically, input is performed using the manual data keys (combined with the track selec- 
tors) to input the values of notes (or rests). Then pitch is input using the keyboard keys 
and rests are input with the REST key. 



Dot Tie 



Note/rest values - 



Rest 
* v v 



Triplet 



ITITFTT^F-R 



-Repeat symbols 



.Manual data keys, 
(track selectors) 



4Q 



©SETTING NOTE/REST VALUES 



setting ji , /) , j 

p>] Press key once 




<LCD> 
[7r\ Press key twice 




fj^l Press key three times 


r r 1 




r f " 




L J 










t 



After three times J) -* j} -► ^ repeats 
• Setting J ,J, 6 
|71 Press key once (ZJ Press key twice (3 Press key three times 



r J 1 

t j 




r 1 * 




r 

L 










t 



After three times J -» J -* repeats 

•SETTING DOTS 

After setting the value of a note/rest as outlined above, pressing the [*] key adds a dot 
to the note. Pressing this key again remove the dot. 
* Dot cannot be added to 32nd notes. 



(Exanple) 



<LCD> 



r r i 

L j 



— Press Q] key- 



r r i 

L J 



(8th note) 



(dotted 8th note) 



©PITCH/REST SETTING 



• PITCH SETTING 

After setting the value of a note, press a key on the keyboard to input the pitch. (Input 
is complete when the keyboard key is released.) The step will automatically advance when 
a pitch is input At this time, its value is retained in memory in the next step. 



(Example) 



— 1 — 
A4 (LA) 



Setting the value 



Input A4 on the keyboard. 



003 p=i r r , 

G=0 t 



By: 



P=l 
G=@ 



r r 



II 



Release A4. 



004 



r 

1=1 u- 



Step automatically 
advances 



<LCD> 




Setting the value 



The value (only) of any note input is retained 
in memory. Therefore, successive notes of 
the same value such as JOT can be input by 
simply pressing keys on the keyboard after 
the value of the first note is input. 



• REST SETTING 

Pressing the REST key instead of a key on the keyboard will input a rest of the same value 
as the previously input note. Pressing the REST key also automatically advances the step. 
At this time the value of the rest is retained in memory in the next step. (See following 
illustration) 



(Example) 



Quarter rest 



Setting the value. 



8@4 r r 

FiM- l 



Press the f«») key. 

k 



£ 



L i 



Mo display here for rest. 



•41 • 



TRIPLET SETTING 



The key is pressed after inputting the value of a note using the f^j , (Z) ,or Q key to 
input a triplet. Pressing the key again will cancel the triplet. 



r' 



(Example) 



m 



Press the fjS} key. 



Press the key. 



r r 1 ii 







r 

L 


rr II 


Input 


D4 on 


the 


keyboard. 




n 


r 


n 1 is 

i 





Input C4 on the keyboard 


->■ 


H r H 1 || 




Input E4 on the keyboard. 


-> 


H r fa 1 II 

EM- l j 



®TIE INPUT 



The above procedure inputs a 
"DO-RE-MI" triplet. 



Ties are input using the Q key. 







Example) — 1 


Press the (ZJ key. 




Input C4 on the keyboard. 




Press the Q . 


r J ' il 

i. i 


- 


J J ^ II 
CM- l j 




J r - 1 II 
CM. l j 






Press the FWD key to advance 
the step. 


Press the (Z} key and 
input C4 on the keyboard. 


- 


r 1 !1 

"—" IB 
L i 


-> 


J r J 1 IS 

CM- l i 



® REPEAT SYMBOL INPUT 

The @ HI keys are used for repeat play of part or all of a piece. 

The key is used to repeat the A data in t — * I n number of times. 

As many times as this key is pressed, the A data will be repeated. The maximum setting 
is n = 8, and n = 9 results in an endless repeat N = 10 is the same as n = 1. 

The "~ 



symbol is used to input 



(Example 1) Playing f. * 



twice. 



Press the f^M) key twice. 



I and results in play of A -*■ B -*■ A -» C. 



Press the @ key to advance the step 



r aii= Mia 

L J 



During this display input the data that are 
to be played between the repeat symbols. 

After a repeat section is complete, pressing the FWD key will result in =!l 2 being displayed. 
Therefore, two steps must be advanced before input following a repeat section. 
*A repeat symbol cannot be used between two other repeat symbols. 



JI5~ 



(Example 



r— I ' ^e.-^ 

A" " ' " ~~ B t C 



Press the |£3j key. 




' Ih 1 

i i 


^ 



Press the (ewji) key twice (advance 
two steps) after completing input of 
data A. 



1 



n #a 



During this display, input the data 
B. 



Press the E*°) key to advance the 
step. 



1 1 



During this display, input the data 
that are to be played in A. 

Press the ^J key twice (advance 
two steps) after completing input 
of data B. 



ill 



During this display, input the data 
C that are to be played after the 
repetition of A and B. 



©CHANGING TIMBRE 

Timbre can be changed at any time during manual recording. Select the timbre in the 
Programmer Section at the point the change is to take place. 



(Example) 

Setting memory voice D-8 



r MEM 1 
-r- 



Input data after advancing the step with the FWD key. 



® CHANGING PORTAMENTO/GLIDE ON/OFF 

Portamento and glide ON/OFF can be changed at any time during manual recording. The 
PORTAMENTO ON/OFF key and GLIDE ON/OFF key in the Overall Control Section are 
used for input. 

(Example) 



r P=*T 
iG=li 



Input data after advancing the step with the (nw| key. 



Step 1 A,B and C 

I 
pstp=@ < 8 ,'rer 


are note data. 

r P^fl 1 

Yffv * r " * ^) 1. II 


w *• ^_* ■*» ■■&■ > || 

i u— i J 


Playback Preset Voice A-l. 


Playback Memory Voice D-8. 


Portamento and glide 


OFF. Portamento OFF / glide ON. 



® INSERTING DATA 

Data insert during manual recording can be performed using the REV and FWD keys. 



(Example) 

®Data inserted between 
C4 and D4 

r^r 



j l j 

CM- i DM- j.ELj- 

7^ * — 

(2) Data inserted between 

D4 and E4 



Press the Gjiv) key for®. 



J r 

CI* L 



1 J 

_|_ j DM. 



Data input 



Press the @ key for (2). 



J 
DI+ 



i J 

k T j El* 



Data input 



./iq. 



CD DELETING DATA 

(1) DELETING ONE PIECE OF DATA 

Use the REV and FWD keys to move the [ ] to the data to be deleted, and press the 
DELETE key. 

(Example 1) 



Press the K^l key. 



J 

EM- 



J 



f 



UH- 



Data to be deleted. 



(Example 2) 



J 
EM- 



' 2! 



H- 



J r 

EM- t 


j 


J 

DM- 


Press the (m^J key. 


i r 

X 

EL}. L 


1 


if 



Repeat symbol to be deleted. 
* Repeat symbols between which data are present cannot be deleted. 

(2) DELETING GROUPS OF DATA 

Use the REV and FWD keys to move the [ ] to the beginning of the data to be deleted. 
Press the track selector that corresponds to the track that holds the data to be deleted 
while holding down the DELETE key. All data following the data shown in the [ ] will 
be deleted. 



(Example 1) Deleting TRACK 2 during * 
manual recording 



(Example 2) Repeat symbols 



i 

FU. 



J. J ,- J 
4- G4- S'4 



CM- di+ 



r p 

i 



=11 1 



G '* 



RM- 



Hold down the DELETE key. 
Simulaneously press the < track 2> key. 

J J i r r '• ii 

CM- DU EU- t j 



Hold down the DELETE key. 
Simultaneously pres^ the < track 2> key. 



* w± 



AH data following this point will be deleted. 

(4) COMPLETING MANUAL RECORDING 

Press the RESET key when data input is complete. 



J" 
EM. 



Deleted 



=11 1 J 
RM 



?*ftA€KCHE&E 



■&sn 



mm 



m 



?&m* 






The track check function allows modifications in the data timbre, portamento/glide 
ON/OFF and volume level after real time or manual recording is complete.Track check 
can be performed independently on each recorded track. 

(Example) Play direction — 

Timbre 



PST A-1 



X 



MEM C-1 



Portamento ON/OFF 
Glide ON/OFF 



ON 



X 



OFF 



OFF 



X 



ON 



The following can be accomplished with track check on the piece illustrated above: 

• Change the section recorded using preset voice A— 1 to a different timbre. Change 
the section recorded using memory voice C— 1 to a different timbre. 

• Set the volume levels of the timbre sections to a value within the range of 01 through 
15. (Initial value after recording is 15.) 

• Turn portamento OFF where ON and vice versa. 

• Turn glide OFF where ON and vice versa. 



,AA, 



• INSTITUTING TRACK CHECK 

(T) Playback to the point to be changed and press the STOP key. 
© Press the TRACK CHECK key. 



Blinking 




* The indicator blinks above the key that corresponds to the previously checked 
track {TRACK 1 for the first check). 

*The timbre and portamento/glide ON/OFF status are shown for the track indicated by 
the blinking indicator on the keyboard panel. The keyboard can be operated to confirm 
settings. 

* The LCD shows the volume level. 



TRACK2 CHECK 
LEU=12 



TRACK 2 volume level 

(DPress the track selector with the blinking indicator to change data in that track. 

(4) Confirming the output with the keyboard, it is possible to change the timbre with the 
Programmer Section, and set the volume level with the VALUE keys. Also use the POR- 
TAMENTO/GLIDE ON/OFF keys in the Overall Control Section to change the respec- 
tive settings to ON and OFF. 



^Bi 













l$$tl&»!$l^^ 



TERMINATING TRACK CHECK 

Pressing the RESET key terminates track check operations. Playback in accordance with 
the new settings starts from the beginning of the piece when the PLAY key is pressed. 



*The following appears on the LCD when 
an attempt is made to track check an 
empty (unrecorded) track: 



TRACKS CHECK 
EMPTY ! 



At this time, choose a track selector that contains data. 



• CLEARING RECORDED DATA 



[SPECIFIC TRACK] 

©Press the RESET key. 

(2) Press the track selector that corresponds to the track to be cleared while simultane- 
ously holding down the DELETE key. 
•Continue depressing the DELETE key and press other track selectors to clear multiple 
tracks. 



mmm>3^^zMm?m^^ 



■dF5 



[PART OF A REAL TIME RECORDED TRACKJ 

(D Press the PLAY key followed by the STOP key when the point to be cleared is reached. 
(2) Set real time recording. 

CD Press the RECORD key followed by the RESET key. Everything from the position select- 
ed with the STOP key will be deleted. 

See page 44 for partial clearing of a manual recording. 

REMAINING MEMORY CAPACITY DISPLAY 

Memory capacity can be confirmed under the following operation. 



Press the REAL TIME or MANUAL key af- 
ter the RESET or STOP key has been 
pressed. This operation will cause the fol- 
lowing to appear on the LCD: 



MEMORY OVER 



Memory over results when the sequencer 
memory is fully used during recording. 
Further recording will be impossible. 



In this case, press the RESET key. 



Display while REALTIME or 
MANUAL key is depressed. 



MEMORY 
75" 



"" AVAILABLE 



75% of the memory is still available for 
data storage. 

<LCD> 



♦MEMORY OUER* 
PUSH RESET KEY 



Memory over display 



• DCO FULL 



DCO full results when an attempt is made 
to specify an empty (unrecorded) track as 
the recording track when the cumulative 
POLY value total equals 8. Further record- 
ing will be impossible. 



<LCD> 



+DC0 FULL* 
PUSH RESET KE 1 



DCO FULL display 



REPEAT PLAYBACK 

Pressing the REPEAT key at the beginning of a piece or during playback will result in 
endless playback. 

* A one measure rest is included between the end of the piece and playback from the 
beginning. 

LOCAL ON/OFF 

The LOCAL - ON (OFF) display on the LCD during playback or when playback is sus- 
pended is explained in the next chapter on MIDI. Keep the setting to ON when using a 
single CZ-5000 unit. If the setting should change to OFF, reset to ON using the RESET key. 



46 




sgjriTJ 






I 



Data recorded with the sequencer can be saved to a cassette tape and later reloaded when 
required (MT function). 

$&iW$£tiim^ tap* ttfcof d«r, * 



SAVE 



QLoad a cassette tape into the recorder. 

* If the tape being used is equipped with a remote terminal, press the RECORD (or SAVE) 
button of the recorder to put it into its RECORD mode. 

CD Press the MT key in the Data SAVE/ 
LOAD Section. 



0»TA SAVDLOAO 



<LCD> 



-tk- 






NT 
SflUE UERIFY LORD 



(D Press the SAVE S key in the Data En- 
try Section. 




<LCD> 



SflUE NT 
BANK R,B <Y/N> 



© Press the NO (® ) key in the Data Entry 
Section TWICE. <f 1 



III 



<w 



SflUE MT 
SEQUENCER <YiN)' 



Sequencer data selected 



® Press the YES (fFI) key in the Data Entry Section immediately after performing opera- 
tions to begin recording for the tape recorde being used. 

(Approximately 1 minute and 28 seconds will be required for data that uses 100% of 
the sequencer memory.) 



•Pressing the YES key will automatically 
begin recording and SAVE operations 
with recorders equipped with a remote 
terminal. 



<LCD> 



►J 



SflUE MT 
SEQUENCER RUN ! 



Transmitting 



* SAVE operations are complete when "OK" is displayed. Release the tape recorder from 
the record mode. 
(Recorders equipped with a remote terminal automatically stop.) 

VERIFY VERIFY confirms that data has been correctly saved and should always be performed im- 

mediately after SAVE. 
Rewind the cassette tape to a point immediately before the data to be verified. 

(D Simultaneously press the SAVE and LOAD keys in the Data Entry Section. 

(D Press the NO key in the Data SAVE/LOAD Section twice. 



(4) Press the YES key in the Data Entry 
Section and then start tape playback. 
"OK" will appear if data was saved cor- 
rectly. 

* If "ERROR" appears on the LCD, resave the data. 



UERIFY MT 
SEQUENCER (Y--'N>? 



47 



LOAD 



(D Load a cassette tape into the recorder. 

* If the tape recorder being used is equipped with a remote terminal, press the PLAY (or 
LOAD) button of the recorder to put it into its PLAYBACK mode. 

@Set the PROTECT switch located on the rear panel of the unit to the OFF position. 



*LOAD is impossible when the PROTECT 
switch is ON and attempting to load data 
will result in the following display 
(memory protect function). 



PROTECT SNITCH 
* ON * 




(D Press the MT key in the Data SAVE/LOAD Section. 

(I) Press the load (VALUES) key in the Data Entry Section. 



Subsequent operations are identical to steps 4 and 5 in the SAVE procedures. 
(5) Press the NO key in the Data Entry Section TWICE. 

© Press the YES key in the Data Entry Section immediately after performing operations 
to begin playback for the tape recorder being used. 



* Pressing the YES key will automatically 
begin LOAD operations with recorders 
equipped with a remote terminal. 



<LCD> 



LORD MT 
SEQUENCER RUN ! 



Transmitting 



*LOAD operations are complete when "OK" is displayed. Release the tape recorder from 
the playback record mode. (Recorders equipped with a remote terminal automatically 
stop.) 

•Return the PROTECT switch to the ON position after LOAD is complete. 
*lf "ERROR" appears on the LCD, resave the data. 



Errors occuring during data transmission 
will cause the following to be displayed on 
the LCD (sample shows LOAD error). 



LORD MT 
* ERROR * 



If this should happen, rewind the tape and restart load procedures from the beginning. 
* Data transmission can be cancelled while in operation by pressing the MT key. At this 
time, an error message will appear on the LCD. 



aft 



* PART 5 * MIDI 



MIDI (MUSICAL INSTRUMENT DIGITAL INTERFACE) is a standard interface that allows 
the connection of two electronic musical instruments. The CZ-5000 is capable of trans- 
mitting the following data: 



ECEIVKUAm 








«8PI^«ffl^^^^i«:^Sf^^^»5 


•;^&m i ^^WCTi 


■M^|^p|fWvV] ° O O | O | O 1 O O | 


'j^^^^.^l^W*- 


o 


o 


o 


o 


o 


o 


o 




i^^i^mwk, ; ;.v>/ 




o 




o 




o 




o 


r^Ma^-riiffe >■£ v ; :'* : .; 




o 




o 




o 




o 


■ *o^ifS^«y^/;"7. 


o 





o 


o 


o 


o 


o 




J.%feS®Swi#^ 


o 


o 


o 


o 


o 


o 


o 




./.THttb^Vhw3t»^M% *.- ' ■ ', '".. " 1 


o 


o 


o 


o 


o 


o 




Vli^l^^"*^:^^.'-. && 


o 


o 





o 


o 


o 


o 




:v;i^^^9^^#F.. a ^■ 


o 


o 




o 




o 










o 


o 


o 


o 


o 


o 


o 


^^■^^ggg^lSSi 














o 


o 


wi^^^M8^^ 















o 


tasiii^^p^H 














o 


o 


^^K^^^^« 














o 


o 



SYSTEM EXCLUSIVE MESSAGE TABLE 



^^^_ i _^ 

^^^^^^^M 


ISWII 




V; i^f^mii;- • ;v 


W£$$&&&" 


j : tp£*t|4>g&^ 


JM&<u 


i&Mjm 


^|ji^^|^^^ 


^p^^^p^^ 


^:^|^gi88^^^ 












i^^^o^^^mii 


o 


O 


o 


o 








c^^m^^sm 


o 


o 


O 


o 








; yiiWMMWK§^?£ 




o 


o 


O 


o 








v^Mpm^^fe^ 




o 


o 


o 


o 












o 


o 


o 


o 








w^sk^^^^^i 


o 


o 


o 


o 








: '^'^^^ml^ph 


o 


o 


o 


o 


o 


o 


o 




fi^HMK^^K^ 




o 














•Ifi^^liiiMp^^ 




o 















49 



•NORMAL MODE 

The following appears on the LCD when the MIDI key is pressed in the NORMAL MODE: 



CD- 



F-MODE KBCH=01— ® 
CH=0i PR6=ENfi-® 



(DRMODE 

Polyphonic mode, indicates polyphonic data interchange capabilities. 

(2)KBCH = 01 (Send channel) 

Indicates that Channel 1 is the send channel. The CURSOR keys are used to move the 

cursor to KBCH and the channel is set within a range of 01 through 16 using the VALUE 

keys in the Data Entry Section. 

(3)CH = 01 (Receive channel) 

Indicates that Channel 1 is the receive channel. The Cursor keys are used to move the 

cursor to CH and the channel is set within a range of 01 through 16 using the VALUE 

keys in the Data Entry Section. 

© PRG = ENA (Timbre data interchange enable) 

Indicates that it is possible to exchange timbre data. 



SEND CHANNEL AND RECEIVE CHANNEL 



When the keyboard is connected to another MIDI keyboard or a rhythm box, one 
end becomes signal send and the other signal receive. Correct interchange of data 
is impossible unless the two channels match. This is similar to having to tune in 
a radio or television to match the transmission frequency from the broadcasting sta- 
tion. Generally, if the send channel is 1, the receive channel must also be 1. 



®— LI -MODE KBCH=0i 
®— CH=9 i < 1 > PR8=D I S-h® 



©M.MODE 

Pressing one of the VALUE keys in the Data Entry Section when the cursor is under the 
mode causes the LCD to change as shown here. This display indicates the monophonic 
mode which means that monophonic data interchange is possible. 

(DCH = 01 (1) (Basic channel and voice channel setting) 

Indicates the receive channel in the mono mode setting. The first value shows the basic 
channel while the value in parentheses indicates the number of voice channels. 

Q) PRG = DIS (Timbre data interchange disable) 

Indicates that it is impossible to exchange timbre data. This setting changes from DIS to 
ENA and back again with each press of a VALUE key when the cursor is in this position. 



POLY MODE AND MONO MODE 



In the poly mode, the CZ-5000 is capable of exchanging polyphonic data . As previ- 
ously mentioned, the send and receive channels must match at this time. 
In the mono mode, the CZ-5000 can act as a monophonic synthesizer, able to receive 
and play independent timbres in each channel. 

Using the CURSOR and VALUE keys to change the settings in Fig. 6 to CH = 01 
(8) results in 8 voice channels starting with basic channel 1. 
Simuiarly, in the case of CH = 03 (3), channels 3, 4 and 5 are each equivalent to 
monophonic synthesizers. At this time, the remaining sound sources (8-3 = 5) 
can be used for keyboard play. 

The timbre from 2 DCO (selecting 1 + 2' or 1 + 1' with the LINE SELECT key) 
results in 5-note polyphonic, while 1 DCO (selecting 1 or 2) results in 10-note poly- 
phonic. 
Since all sound sources are used as MIDI channels when the voice channel setting 

is 8, the keyboard becomes inoperable. 

The lamps that are lit on the console of the CZ-5000 do not indicate data received 

through the MIDI. They show the status of CZ-5000 timbres and effects. 



MIDI data 



3 monophonic synthesizers 

Remaining sound sources 
(5 or 10 polyphonic) 



PRG ENA AND PRG D1S 



It is sometimes desireable to keep the timbre of one of the two connected musical 
instruments fixed. The example here will use two CZ- 5000s. 



OUT 



PRG = ENA 



1 



IN 



PRG = D1S 



In this example, the timbres of unit ® are fixed and are unaffected when timbres 
in unit ® are changed. If unit ® were set to PRG = ENA, changes of unit ® timbres 
would result in corresponding changes in unit ® . 



•TONE MIX AND KEY SPLIT MODE 

The following appears on the LCD when 
the MIDI key is pressed in the TONE MIX 
or KEY SPLIT mode: 




In this case, data exchange is only possible in the poly mode, and the mono mode cannot 
be specified. (The cursor will not move to the P.MODE position.) 

Settings for the send channel (KBGH), receive channel (CH) and timbre exchange able/dis- 
able (PRG - ENA/DIS) mode are made in the same manner as those for the NORMAL 
mode (see page 50). 

* When timbre change data or volume level change data is received from an external source 
in the TONE MIX or KEY SPLIT mode, the indicators on the CZ-5000 change for the 
settings corresponding to the position of the cursor. 



51 



•SEQUENCER MODE 



The indicators shown to the right appear 
on the LCD when the MIDI key is pressed 
in the SEQUENCER mode: 



G> 



CLK=INT 

CH=@1 



KBCH=B1- 
PRG=ENft 



■<D 



® CLK = INT (Clock) 

Indicates the status of the clock. Pressing the VALUE keys when the cursor is this posi- 
tion changes the setting to CLK = EXT. 



CLOCK STATUS 



Both instruments connected with a MIDI cable exchange synchronous signals. 

CLK = INT 

In this case, the CZ-5000 controls the connected MIDI keyboard or rhythm box. (The 

CZ-5000 is the host and the connected device is the slave.) 

CLK = EXT 

In this case, the connected MIDI keyboard or rhythn box controls the CZ-5000. (The 

connected device is the host and the CZ-5000 is the slave.) 

* Recording to the sequencer is impossible in this status. 



Settings for the send channel (2) (KBCH), receive channel (3) (CH) and timbre exchange 
able/disable (PRG = ENA/D1S) are made in the same manner as those for the NOR- 
MAL mode (see page 50). 




■■MBMM 



I. Using the keyboard of the CZ-5000 with an external sound source dur- 
ing sequencer playback. 



OUT 



IN 



-*T d an i pL- 353 33 eBJeET; ££ 1SI£ 



CZ-5000 



External sound 
source 



® Match the send channel (KBCH) or the CZ-5000 with the receive channel of the external 
sound source. 

® Set LOCAL = OFF to allow the key- 
board to sound the external sound 
source only. 



0889 J =168 

L0CflL=0U 



Pressing the SEQUENCER key will cause the display shown above to appear on the LCD. 
The display will change to LOCAL = OFF when the VALOE keys are pressed. 






LOCAL ON AND LOCAL OFF ■ 














OUT 




llH 






CZ-5000 




External sound 
source 




Set LOCAL = OFF when it is desireable to eliminate sound from the CZ-5000 when 
it is being used to drive an external sound source. (For example, when 7 POLY is 
used for the sequencer making the keyboard rnonophonic, and another keyboard 
is used to play along.) 

Conversely, set LOCAL = ON to allow sound to come from both the CZ-5000 and 
the external sound source.Pressing the RESET key will return theCZ-5000 to LOCAL 
= ON from LOCAL = OFF. 



II. Using an external sound source to play the sequencer of the CZ-5000. 

Data recorded in the sequencer of the CZ-5000 can be played back using a MIDI standard 
keyboard as an external sound source. 

Match the receive channel of the external sound source with the track number to be played. 



Track 1. Bass 



Track 2. Chord 



Track to be played back on external sound source. 



Track 3. Melody 



In this case, set the external sound source receive channel to 2. 

*To send only specific tracks to the external sound source for playback without sound 
from the CZ-5000, press the corresponding Track selector. This will cause only the speci- 
fied track data to be sent to the external sound source. 



III. Using an external sound source for real time recording with the 
CZ-5000 sequencer. 

The recording/playback POLY value of the CZ-5000 can be increased by the POLY value 
of the connected sound source (real time recording only). 

©Match the receive of the external sound source with the channel to be recorded. 
Track 1. Bass 



Track 2. Chord 



Track to be recorded on external sound source. 



Track 3. Melody 



In this case, set the external sound source receive channel to 2. 

©Press the Track 2 key while holding down the REAL TIME key. (Track 2 is set as the 
real time recording track.) 

<3)Keep POLY = 1 set no matter how many polyphonies are available on the external 
sound source. This is to allow the remaining 7-note polyphonic to be fully used on the 
CZ-5000. 



(4)Press the RECORD key to begin recording. 
(Recording is impossible using the external 
sound source keyboard.) 



0000-REC J =132 
PQLY=1 BEfiT=4M 



.ri 



IV. Using two CZ-5000s for real time recording along with playback of 
recorded data. 

Using a CZ-5000 as a master to make a new recording and the playback unit as a slave, 
real time recording can be performed while monitoring previous data. The two CZ-5000s 
must be synchronized. 



OUT 



£ 



CZ-5000 (Master) 



} 



IN 



CZ-5000 (Slave) 



® Set the clock display (see page 52) of the recording master unit to CLK 
and that of the playblack (slave) unit to CLK = EXT. 

(D Set the recording track on the master CZ-5000. 
(D Press the RECORD key to begin recording. 
* Playback begins on the slave CZ-5000. 



= INT, 



KEY OPERATIONS 

1 RESET 

Resets both units. (Time value returns to 000.) 

2 STOP 

Suspends the master unit while maintaining the present recording track. Playback from 
the slave unit is temporarily suspended. 

3 REV 

Reverse and playback of the master unit (only) in the current recording track. The slave 
unit suspends playback at the point where the REV key is pressed. 

Slave playback restarts when playback of the master unit reaches the point at which the 

REV key was originally pressed. 



Master 



Press REV 

I 



3 Record c 



Reverse 



ZJ Playback czzi ( ' 1 Playback I 
(Master only) 



Slave 



IPlaybackC 



| Temporary ) 
suspension 



<* I Playback I l 



»* This portion not played back by the SLAVE. 

4 FWD 

High speed playback of the master unit in the current recording track. High speed play- 
back of the slave uniit. 

5 PLAY 

ADD ON recording (see page 38) possible from the current position if this key is pressed 
after pressing the STOP key. To rerecord an entire track, press the RESET key, set 
the track to be recorded, and press the PLAY key. 



R/l 




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1. Please be careful of extreme temperatures, moisture and direct 
sunlight. 

Please avoid using or storing your CZ-5000 in places subject to direct sunlight, excessive- 
ly moist places or near air conditioning and heating appliances where temperatures and 
moisture tend to be extreme. 

2. Please do not drop this instrument or subject it to strong shocks. 

Subjecting this precision instrument to strong shocks may cause malfunctioning, so please 
be very careful. When carrying the CZ-5000 with you or transporting it, please protect it 
properly with shock-absorbant packaging, in particular the keyboard and switches. 

3. Make sure no foreign matter gets into the inside of this instrument. 

Please take care that no foreign objects, especially metal objects such as hair pins, sewing 
needles or coins gets into the instrument e.g. through the gaps between the keys. Also 
make sure no water or other fluids get in. Any metal objects or water entering the instru- 
ment can cause malfunctioning as well as an electric shock hazard. 

4, Customizing may cause malfunction and accidents. 

The CZ-5000 uses many high-precision electronic components. Converting it in any man- 
ner or carelessly touching the internal parts may cause malfunction and accidents and 
should therefore be avoided under all circumstances. 

5. Please do not use thinner and similar chemicals when cleaning this 
instrument. 

When cleaning your CZ-5000, use a soft cloth dampened with a neutral detergent solu- 
tion which has been wrung out completely to wipe the keyboard etc. 
Gse of thinner, alcohol, benzene and similar chemicals should be avoided under all cir- 
cumstances. 

6 .Insert and remove cartridges only after power has been turned off. 

Be sure to turn off power when inserting or removing cartridges to protect the RAM. 







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Model 


CZ-5000 




Keyboard 


61 keys/5 octaves 




Sound source 


PD (phase distortion) system 




Voices 


16 (1 DCO)or 8(2 DCOs) 




Modes 


NORMALfTONE MIX/KEY SPLIT/SEQUENCER 




Programmer 


32 preset voices (fixed) 

32 memory voices (exchangeable) 

WRITE, COMPARE/RECALL 





Parameters 



DCO 1/DCO 2 

Waveform. (33 types) 

Pitch envelope (STEP = 1 - 8/RATE = 00 - 99/LEVEL = 00 ~ 99/ 

SCJSTAIN/END) 
DCW 1/DCW 2 
Key follow (RANGE = 0-9) 
Wave envelope (STEP = 1 ~ 8/RATE = 00 - 99/LEVEL = 00 - 99/ 

SUSTAIN/END) 
DCA 1/DCA 2 
Key follow (RANGE = 0-9) 
Amp envelope (STEP 1 -8/RATE = 00- 99/LEVEL = 00 -99/ 

SUSTAIN/END) 
Vibrato (WAVE = 1 - 4/DELAY = 00 - 99/RATE = 00 - 99/ 

DEPTH = 00 -99) 
Octave (RANGE=~l/0/+l) 

Detune (OCT = 0~3/NOTE = 00~ 1 1/FINE = 00~60) 
Line select (1/2/1+271 + 1') 
Ring modulation/Noise modulation 
Initialize 



Sequencer 



Tone mix 



8 recording tracks 

Recording system: Real time (3500 notes max.)/Manual (7000 notes max.) 
Track check, ADD ON recording, Play, Record, Stop, Reset, Forward, 
Delete, Clear, Repeat, Track ON/OFF, Timer (4-digit), Steps (3-digit), Tem- 
po ( J = 40 -256), Beat (1-9), Local ON/OFF 

Tone 1 (LEVEL = 00 ~15VTone 2 (LEVEL = 00- 15) 



Key split 



Split point (01-60) 

LOWER (LEVEL = 00-1 5)/CIPPER (LEVEL = 00 - 1 5) 



Effect/Overall control 



Portamento time (00~99)/Portamento ON/OFF 

Glide note (-24- +24)/Glide time (00-99)/Glide ON/OFF 

Pitch bend/Bend range (00-12) 

Modulation depth {00- 99)/Modulation ON/OFF 

Master tune (±100 cents) 

Key transpose (G — F # ) 

Master volume 

Chorus control 



Data entry 



LCD 



Value [▼] (SAVE)/® (LOAD), Cursor H (NO)/ B(YES), Envelope step 
S/® , Envelope point (SUSTAIN, END) 

Dot matrix (32-character) 



,cc 



Data SAVE/LOAD 



Other 



Rear panel 



Power supply 



Memory back up 



Power consumption 



Dimensions 



Weight 



Accessories 



Cassette tape (Timbre and sequencer data SAVE/LOAD) 
Cartridge (Timbre data SAVE/LOAD: 32 timbres) 



Solo 



LINE OUT jacks (R/L), Headphone jack (stereo), Sustain jack, Foot volume 
control jack, MIDI jacks (IN/OUT), Protect switch (ON/OFF), Cartridge slot, 
Power jack 



AC 100V, 120V, 220V, 240V 



3 size D dry cells (Battery life: Approximately 1 year) 



26W 



1025 (W) x 341 (D) x 127 (H) mm 



11.7 kg (including batteries) 



AC power cord, MT connecting cord (8-pin), Plug & cord set, Dust cover, 
3 size D dry cells 



'Design and specifications are subject to change without notice. 



WARNING: 

CHANGING THE VOLTAGE SELECTOR MAY REQUIRE THE USE OF A DIFFERENT LINE CORD OR ATTACH- 
MENT PLUG, OR BOTH. TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALI- 
FIED SERVICE PERSONNEL. 

GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not 
applicable to other areas). 

This equipment generates and uses radio frequency energy and if not installed and used properly, that is, in 
strict accordance with the manufacturer's instructions, may cause interference to radio and television recep- 
tion. It has been type tested and found to comply with the limits for a Class B computing device in accordance 
with the specifications in Subpart J of Part 15 of FCC Rules, which are designed to provide reasonable protec- 
tion against such interference in a residential installation. However, there is no guarantee that interference will 
not occur in a particular installation. If this equipment does cause interference to radio or television reception, 
which can be determined by turning the equipment off and on, the user is encouraged to try to correct the inter- 
ference by one or more of the following measures: 

reorient the receiving antenna 

relocate the equipment with respect to the receiver 

move the equipment away from the receiver 

plug the equipment into a different outlet so that equipment and receiver are on different branch circuits. 

If necessary, the user should consult the dealer or an experienced radio/television technician for additional sug- 
gestions. The user may find the following booklet prepared by the Federal Communications Commission help- 
ful: "How to Identify and Resolve Radio-TV Interference Problems". This booklet is available from the US 
Government Printing Office, Washington, D.C., 20402, Stock No. 004-000-00345-4. 



. KQ .